Socially Engaged Creative Practice , livre ebook

icon

158

pages

icon

English

icon

Ebooks

2024

icon jeton

Vous pourrez modifier la taille du texte de cet ouvrage

Lire un extrait
Lire un extrait

Obtenez un accès à la bibliothèque pour le consulter en ligne En savoir plus

Découvre YouScribe en t'inscrivant gratuitement

Je m'inscris

Découvre YouScribe en t'inscrivant gratuitement

Je m'inscris
icon

158

pages

icon

English

icon

Ebooks

2024

icon jeton

Vous pourrez modifier la taille du texte de cet ouvrage

Lire un extrait
Lire un extrait

Obtenez un accès à la bibliothèque pour le consulter en ligne En savoir plus

This is the second book in the Performance and Communities series.  An edited collection from academics and artists engages with both these notions of performance – that of identities in and through time and space - and of more formal instances of specific time-limited performances; textual, embodied, visual and communal.


Each chapter focuses on an individual or group’s mode of working and methodological practice of performance across a range of modes, disciplines and media – from community opera to online queer performance, from anti-racist class-room pedagogy to 1980s cabaret in nightclubs, from community art projects in schools to community writing projects in transport interchanges, the performers, writers and creators represented here all engage and grapple with contemporary performance as a situated practice and as a problematic.


The personal perspective of each performer – directors, librettists, producers, writers, performers – is explicitly located in a community and the book offers a series of case studies detailing socially engaged work that aligns with concepts of performance and community.


List of figures 


Abstracts 


Introduction

Kate Aughterson and Jess Moriarty


 


SECTION ONE: CHANGING THEATRES 


1. In Our Sites: A Personal View of the Writer’s Role in Place-Making Theatre with, by, and for Communities

Sara Clifford 


2. Dramatizing Recent History: The Bombing of the Grand Hotel

Julie Everton


3. Thoughts on Appropriation – Collaboration for Silkmoth

Eleanor Knight


4. Disremembered Cabaret Histories

Al Meggs 


5. Representation and Collective Creation: The Work of Middle East/North Africa (MENA) Arts UK

Laura Hanna


 


SECTION TWO: TAKING TO THE STREETS 


6. Disorientation, Creativity, and Performance in Liminal Spaces: A Case Study of a Writer in Residence at Heathrow Airport and Oval Underground Station

Dawn Hart


7. Conversations between Borders: Cyclical Thinking and Alternative Worlds

Emily Orley


8. Extinction Rebellion and Performance Activism on the Streets of London

Marisa Carnesky


9. Making Community from Mess: Mapping the Santiago de Cuba Carnival and the Carnivalesque of My Research Journey Through Poetry

Yvonne Canham-Spence


 


SECTION THREE: TRANSFORMING SPACES AND STORIES 


10. Holding Queer Space/Holding Space Queerly: Lockdown Reflections on Queer Performance and Community

Ess Grange and Mal Parry


11. You’ll Never Forget, I’ll Never Remember. You’ll Never Remember, I’ll Never Forget

Rachel Dean, Marie Hallager Andersen, and Daliah Touré


12. Preserving Fruit: Using Oral History to Preserve Stories of Black British History and the Transatlantic Journeys from Which Our Traditions Have Emerged

Veneta Roberts


 


SECTION FOUR: OPENING UP INSTITUTIONS 


13. Beyond The Room

Marina Castledine


14. Monsters and Campfires: Using Storytelling to Humanize Institutional Spaces

Finlay McInally and Jess Moriarty


15. The Clothes on Our Backs: Diversifying the Curriculum

Tony Kalume and Jess Moriarty


 


Notes on Contributors

Voir icon arrow

Publié par

Date de parution

18 juin 2024

Nombre de lectures

1

EAN13

9781789388886

Langue

English

Poids de l'ouvrage

1 Mo

Socially Engaged Creative Practice
Category

Ebooks

Socially Engaged Creative Practice

Socially Engaged Creative Practice Alternate Text
Category

Ebooks

Médias

Socially Engaged Creative Practice

Book

158 pages

Flag

English

Alternate Text