Partition Orchestral parties, Piano Concerto No.3, 'A Liszt Rhapsody'

Op. 26
Piccolo
A Liszt Rhapsody
Xavier Shuang Xu (b.1988)
MaestosoI. The Nova                           
f 15        
fff  Più mosso29      
ff
Allegro
Adagio AdagioAllegro61     
poco accel. accel. 88    
Maestoso Più mosso109                
f 126                         
ff
rit. 137                    
accel. molto accel. 146 Adagio          
f
156                     
Copyright © XavierSX,20092 Piccolo
Adagio accel. rall.159      
f
165      
II. The Oblivion171             
211                            
mf
226          
rall. 244          
III. The Rejuvenation Allegro Meno mosso rit. 259      
Adagio accel.275     
rall. molto accel. Allegro301                            
p
305                                       
ff
Allegro307     Piccolo 3
Meno mosso Adagio319      
338                  
mf f
accel. 342               
Adagio Più mosso347                       
f 3 3
361                                   
3
3 ff          rall. 370                          
Allegro Meno mosso rit. 376         
Allegro Adagio Allegro395         
Adagio399         
rit. 406       Op. 26
Flute
A Liszt Rhapsody
Xavier Shuang Xu (b.1988)
MaestosoI. The Nova                           
f
 I. 15 II.         
fp fpff I. Più mosso29                 
mfff
  I.  II.40                                                 
     42   a2                             
6 6   47                     
66
      49                        
fmpp
Allegro
Adagio AdagioAllegro61     
Copyright © XavierSX,20092 Flute     77                                        
pp
82   a2                           
mf fpoco accel. accel.      87         
mf
I.Maestoso Più mosso109            
f    122     I.              
f 127                          
ff
rit. 137                    
 146  Adagio                     
accel. molto accel. f
a2    152               
mf f 156                      
Adagio accel. rall.159           
fFlute 3
165         
dolce    II. The Oblivion   171 I       
3mp       189                             
pp
    192                          
mf
198                                          
    202                          
mf mf
218 a2                            
mf
     227      I     
3mp           236                       
3
rall. 240           4 Flute
III. The Rejuvenation Allegro                 259                                           
f  263                     
   Meno mosso        266                                                                            
mf
rit. Adagio270    
accel.
a2279                  
mf
292                                        
 294                                                 
rall. molto accel.
296                                             
p                Allegro            303                                                   
f 
305                    
ff
Allegro310                            
fFlute 5
314                                                                 
Meno mosso318                                                                                         
mf
fI Adagio   322                  
II.mf                  339                 
       341                          
f
accel.                  343                             
sf sf sf sf sf sfAdagio  Più mosso347                            
sf f 3      360                                                    
3
33          368                         
ff    372                     6 Flute
rall. Allegro                       375                                  
mf sf f                   380                                             
          Meno mosso384                                                                           
mf                         388                         
 rit. Allegro391        
Adagio Allegro Adagio396            
rit. 404          Op. 26
Oboe
A Liszt Rhapsody
Xavier Shuang Xu (b.1988)
MaestosoI. The Nova                           
f
16 I.         
fp
25 II.          
ffff fp
II. Più mosso 32                        
p
I. 39  II.                                         
mf
I.  41  a2                                                    
7 7  44                          
      
49                               
fmpp
Allegro
Adagio AdagioAllegro61     
Copyright © XavierSX,2009