Sites of Autopsy in Contemporary Culture , livre ebook

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2012

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In this compelling interdisciplinary study, Elizabeth Klaver considers how autopsies are performed in a variety of contexts, from the "real" thing in hospitals and county morgues to various depictions in paintings, novels, plays, films, and television shows. Autopsies can serve a variety of pedagogical, legal, scientific, and social functions, and the autopsied cadaver, Klaver shows, has lately become one of the most spectacular bodies offered up to the public on film, television, and the Internet. Setting her discussion within the history of the modern autopsy, and including the narrative of her own attendance at a medical autopsy, Klaver makes the autopsy readable in a number of diverse venues, from Rembrandt's The Anatomy Lesson and Vesalius's Fabrica to The Silence of the Lambs, The X-Files, and CSI. Moving from the actual autopsy itself to its broader symbolic ramifications, Klaver addresses questions as disparate as the social constructedness of the body, the perception and treatment of death under late capitalism, and the ubiquity of paranoia in contemporary culture.
List of Illustrations

Acknowledgments

Introduction

1. Autopsy: A Context

2. Performance, Autopsy, and the Performative

3. Autopsy and the Subject; or, What the Dead Saw

4. Autopsy and the Social: The Case of John F. Kennedy

5. Autopsy and the Popular

Afterword

Notes

Works Cited

Index

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Date de parution

01 février 2012

EAN13

9780791483428

Langue

English

Poids de l'ouvrage

4 Mo

Sites of Autopsy in Contemporary Culture
Elizabeth Klaver
Sites of Autopsy in Contemporary Culture
Sites of Autopsy in Contemporary Culture
Elizabeth Klaver
STATE UNIVERSITY OF NEW YORK PRESS
Published by State University of New York Press, Albany
© 2005 State University of New York
All rights reserved
Printed in the United States of America
No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.
For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207
Production by Marilyn P. Semerad Marketing by Susan M. Petrie
Library of Congress CataloginginPublication Data
Klaver, Elizabeth. Sites of autopsy in contemporary culture / Elizabeth Klaver. p. cm. — (SUNY series in postmodern culture) Includes bibliographical references and index. ISBN 0-7914-6425-3 (hardcover : alk. paper) — ISBN 0-7914-6426-1 (pbk. : alk. paper) 1. Autopsy—Social aspects. 2. Autopsy—History. I. Title. II. Series. RA1063.4.K53 2005 616.07'59—dc22 2004009642
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for Mike Justesen
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List of Illustrations
Acknowledgments
Introduction
1. Autopsy: A Context
Contents
2. Performance, Autopsy, and the Performative
3. Autopsy and the Subject; or, What the Dead Saw
4. Autopsy and the Social: The Case of John F. Kennedy
5. Autopsy and the Popular
Afterword
Notes
Works Cited
Index
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Illustrations
FIGURE1.1. Andreas Vesalius, Title Page toDe Humani Corporis Fabrica. U.S. National Library of Medicine.
FIGURE3.1. Samuel Beckett,Play.An Institute for the Exploration of Virtual Realities production, directed and designed by Lance Gharavi. Produced at the University of Kansas, 1996. Permission and photo courtesy of Mark Reaney.
FIGURE3.2. Hans Holbein the Younger,The Ambassadors. Courtesy of the National Gallery, London.
FIGURE4.1. President John F. Kennedy autopsy diagram. U.S. National Archives and Records Administration (NARA).
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