Motherhood Misconceived , livre ebook

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2009

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281

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2009

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As celebrities sporting "baby bumps," politicians, Olympic athletes, and talk show guests, mothers are ubiquitous throughout U.S. media and popular culture. Like lightning rods, these high-profile mothers attract accolades and judgments associated with ideals of female sexuality, gender roles, and constructions of contemporary families. Motherhood Misconceived explores this widespread cultural fascination with motherhood through analyses of mothers in contemporary U.S. film, including both mainstream and independent cinematic representations. The contributors draw on a variety of critical approaches to consider the spectacle of pregnancy; mother-daughter relationships; mothers as predators, narcissists, and absent victims; and the ways in which cultural anxieties are displaced and projected onto marginalized mothers in films such as Fargo; Transamerica; Gas, Food, Lodging; Ordinary People; and Scream. Ideal for women's studies or film studies classes, Motherhood Misconceived will help students contextualize current debates about motherhood as they play out in popular and independent film.
List of Illustrations
Acknowledgments

Introduction
Heather Addison, Mary Kate Goodwin-Kelly, and Elaine Roth

I. The Celluloid Stork: Picturing Pregnancy

1. Pregnant Body and/as Smoking Gun: Reviewing the Evidence of Fargo
Mary Kate Goodwin-Kelly

2. Mother’s Day: Taking the Mother Out of Motherhood in The Thrill of It All
Tamar Jeffers McDonald

3. Not Exactly According to the Rules: Pregnancy and Motherhood in Sugar & Spice
Madonne M. Miner

II. Constructions of Motherhood: Mothers, Daughters, and Sex

4. Modernizing Mother: The Maternal Figure in Early Hollywood
Heather Addison

5. “Whose Baby Are You?”: Mother/Daughter Discourse in the Star Images of Mary Pickford and Joan Crawford
Gaylyn Studlar

6. “You Just Hate Men!”: Maternal Sexuality and the Nuclear Family in Gas, Food, Lodging
Elaine Roth

III. Horriffic Mothers and the Mothers of Horror

7. Hollywood’s “Moms” and Postwar America
Mike Chopra-Gant

8. Alfred Hitchcock and the Phobic Maternal Body
Mun-Hou Lo

9. Paranoia, Cold Surveillance, and the Maternal Gaze: Reconsidering the “Absent Mother” in Ordinary People
Mark Harper

10. Scream, Popular Culture, and Feminism’s Third Wave: “I’m Not My Mother”
Kathleen Rowe Karlyn

IV. Maternal Anxieties of Class, Race, and Gender

11. Great Ladies and Guttersnipes: Class and the Representation of Southern Mothers in Hollywood Films
Aimee Berger

12. “Don’t Say Mammy”: Camille Billops’s Meditations on Black Motherhood
Janet K. Cutler

13. From Dad to Mom: Transgendered Motherhood in Transamerica
Mary M. Dalton

List of Contributors
Index
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Date de parution

06 octobre 2009

EAN13

9781438428154

Langue

English

Poids de l'ouvrage

18 Mo

motherhood misconceived
representing the maternal in U.S. films
Edited by Heather Addison, Mary Kate GoodwinKelly, Elaine Roth
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MOTHERHOOD MISCONCEIVED
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MOTHERHOOD MISCONCEIVED
Representîng the Maternal în U.S. Fîlms
Edited by HEATHER ADDISON MARY KATE GOODWIN-KELLY ELAINE ROTH
State University of New York Press
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CONTENTS
Pûîŝé  State University of New York Press, Albany
© 2009 Sàé Uîéŝî ô Né Yô
A îgŝ éŝéé
Pîé î é Uîé Sàéŝ ô Aéîçà
Nô à ô îŝ ôô à é ûŝé ô éôûçé î à àé àŝôéé îôû îé éîŝŝîô. Nô à ô îŝ ôô à é ŝôé î à éîéà ŝŝé ô àŝîé î à ô ô  à éàŝ îçûîg ééçôîç, ééçôŝàîç, àgéîç àé, éçàîçà, ôôçôîg, éçôîg, ô ôéîŝé îôû é îô éîŝŝîô î îîg ô é ûîŝé.
Fô îôàîô, çôàç Sàé Uîéŝî ô Né Yô Péŝŝ, Aà, NY .ŝûéŝŝ.éû
Pôûçîô, àûîé Séà Màéîg, Aé M. Vàéîé
Library of Congress Cataloging-in-Publication Data
Môéôô îŝçôçéîé : ééŝéîg é àéà î U.S. Iŝ / éîé  Héàé  Aîŝô, Mà Kàé Gôôî-Ké, à Eàîé Rô.  . ç.  ïçûéŝ îîôgàîçà éééçéŝ à îéx.  ïSBN 978-1-4384-2811-6 (àçôé : à. àé)  ïSBN 978-1-4384-2812-3 (. : à. àé)  1. Môéôô—Uîé Sàéŝ. 2. Môéôô î ôîô îçûéŝ. 3. Séx ôé î ôîô îçûéŝ. ï. Aîŝô, Héàé. ïï. Gôôî-Ké, Mà Kàé, 1971– ïïï. Rô, Eàîé, 1968–
HQ759.M8745 2009 302.23'4308520973—ç22
10 9 8 7 6 5 4 3 2 1
2008054157
PREFACE
To our sîgnîicant others and to our chîldren,
but most of all—to our mothers
î
CONTENTS
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îŝ ô ïûŝàîôŝ Açôégéŝ
PREFACE
CONTENTS
ïôûçîô  Heather Addîson, Mary Kate Goodwîn-Kelly, and Elaîne Roth
 1.
 2.
 3.
ï. Té Céûôî Sô: Pîçûîg Pégàç
Pégà Bô à/àŝ Sôîg Gû: Réîéîg é Eîéçé ôFargo Mary Kate Goodwîn-Kelly
Môé’ŝ Dà: Tàîg é Môé Oû ô Môéôô î The Thrîll of It All Tamar Jeffers McDonald
Nô Exàç Aççôîg ô é Rûéŝ: Pégàç à Môéôô îSugar & Spîce Madonne M. Mîner
ïï. Côŝûçîôŝ ô Môéôô: Môéŝ, Dàûgéŝ, à Séx
 4. Môéîzîg Môé: Té Màéà Fîgûé î Eà Hôôô Heather Addîson
 5. “Wôŝé Bà Aé Yôû?”: Môé/Dàûgé Dîŝçôûŝé î é  Sà ïàgéŝ ô Mà Pîçô à Jôà Càô Gaylyn Studlar
 6. “Yôû Jûŝ Hàé Mé!”: Màéà Séxûàî à é  Nûçéà Fàî îGas, Food, Lodgîng Elaîne Roth
îî
îx
1
15
29
4
6
3
3
8
1
111
îîî
CONTENTS
ïïï. HôîIç Môéŝ à é Môéŝ ô Hôô
 7. Hôôô’ŝ “Môŝ” à Pôŝà Aéîçà Mîke Chopra-Gant
 8. Aé Hîççôç à é Pôîç Màéà Bô Mun-Hou Lo
 9. Pààôîà, Cô Sûéîàçé, à é Màéà Gàzé:  Réçôŝîéîg é “Aŝé Môé” îOrdînary People Mark Harper
10.
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Scream, Pôûà Cûûé, à Féîîŝ’ŝ Tî Wàé: “ï’ Nô M Môé” Kathleen Rowe Karlyn
ïV. Màéà Axîéîéŝ ô Càŝŝ, Ràçé, à Géé
Géà àîéŝ à Gûéŝîéŝ: Càŝŝ à é Rééŝéàîô ô Sôûé Môéŝ î Hôôô Fîŝ Aîmee Berger
“Dô’ Sà Mà”: Càîé Bîôŝ’ŝ Méîàîôŝ ô Bàç Môéôô Janet K. Cutler
Fô Dà ô Mô: Tàŝgééé Môéôô îTransamerîca Mary M. Dalton
îŝ ô Côîûôŝ ïéx
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