Apocalyptic Dread , livre ebook

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2012

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In Apocalyptic Dread, Kirsten Moana Thompson examines how fears and anxieties about the future are reflected in recent American cinema. Through close readings of such films as Cape Fear, Candyman, Dolores Claiborne, Se7en, Signs, and War of the Worlds, Thompson argues that a longstanding American apocalyptic tradition permeates our popular culture, spreading from science-fiction and disaster films into horror, crime, and melodrama. Drawing upon Kierkegaard's notion of dread—that is, a fundamental anxiety and ambivalence about existential choice and the future—Thompson suggests that the apocalyptic dread revealed in these films, and its guiding tropes of violence, retribution, and renewal, also reveal deep-seated anxieties about historical fragmentation and change, anxieties that are in turn displaced onto each film's particular "monster," whether human, demonic, or eschatological.

List of Illustrations
Acknowledgments

1. Apocalyptic Dread, Kierkegaard, and the Cultural Landscape of the Millennium

2. Cape Fear and Trembling: Familial Dread

3. Strange Fruit: Candyman and Supernatural Dread

4. Dolores Claiborne: Memorial Dread

5. Se7en in the Morgue: Dystopian Dread

6. Signs of the End of the World: Apocalyptic Dread

7. War of the Worlds: Uncanny Dread

Notes
Works Cited
Index

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Date de parution

01 février 2012

Nombre de lectures

0

EAN13

9780791480335

Langue

English

Poids de l'ouvrage

1 Mo

American Film at the Turn of the Millennium
K I R S T E N M O A N A T H O M P S O N
Apocalyptic Dread
Also in the series
William Rothman, editor,Cavell on Film
J. David Slocum, editor,Rebel Without a Cause
Joe McElhaney,The Death of Classical Cinema
Apocalyptic Dread
American Film at the Turn of the Millennium
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Kirsten Moana Thompson
STATE UNIVERSITYOF NEW YORK PRESS
Published by State University of New York Press, Albany
© 2007 State University of New York
All rights reserved
Printed in the United States of America
No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.
For information, address State University of New York Press, 194 Washington Avenue, Suite 305, Albany, NY 12210-2384
Production by Marilyn P. Semerad Marketing by Anne M. Valentine
Library of Congress Cataloging-in-Publication Data
Thompson, Kirsten Moana. Apocalyptic dread : American film at the turn of the millenium / Kirsten Moana Thompson. p. cm. — (SUNY series, horizons of cinema) Includes bibiographical references and index. ISBN-13: 978-0-7914-7043-5 (hardcover : alk. paper) ISBN-13: 978-0-7914-7044-2 (pbk. : alk. paper) 1. Horror films—United States—History and criticism. 2. Disaster films—United States—History and criticism. 3. Science fiction films— United States—History and criticism. 4. Apocalypse in motion pictures. I. Title. II. Series.
PN1995.9.H6T47 2006 791.43'6160973—dc22
10 9 8 7 6 5 4 3 2 1
2006013425
To Noelle Couvreur, With love.
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List of Illustrations
Acknowledgments
1.
2.
3.
4.
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6.
7.
Contents
Apocalyptic Dread, Kierkegaard, and the Cultural Landscape of the Millennium
Cape FearTrembling: Familial Dread and
Strange Fruit:Candymanand Supernatural Dread
Dolores Claiborne: Memorial Dread
Se7enin the Morgue: Dystopian Dread
Signs of the End of the World: Apocalyptic Dread
War of the Worlds: Uncanny Dread
Notes
Works Cited
Index
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Table 2.1
Figure 2.1
Figure 2.2
Figure 2.3
Figure 2.4
Figure 3.1
Figure 3.2
Figure 3.3
Figure 3.4
Figure 4.1
Illustrations
Principal Differences between Book and Films (Cape Fear).
Max Cady (Robert Mitchum) and Peggy Bowden (Polly Bergen) inCape FearCourtesy (1962). of Photofest. Negative Image of Danielle Bowden’s Eyes in Cape Fear (1991). Robert De Niro as Max Cady inCape Fear (1991). Courtesy of Photofest. Après le deluge: Family in the Mud: Leigh Bowden (Jessica Lange) inCape Fear (1991). In Front of the Bathroom Mirror, Helen Lyle (Virginia Madsen) and Bernadette Walsh (Kasi Lemmons) Dare Each Other to Call Candyman Five Times.Candyman (1992). The Hookman (Tony Todd) inCandyman (1992) Courtesy of Photofest. Cabrini-Green “White” Towers featured in CandymanPhoto courtesy of (1992). Ronit Bezalel. Helen enters Candyman’s lair through his mouth.Candyman (1992). Selena St. George and Mirror Trauma in Dolores Claiborne (1995).
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