Lord of the Dance , livre ebook

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2001

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400

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2001

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Richard Kohn's book transports the reader to the high Himalayas for an in-depth look at the inner workings of the three-week long Mani Rimdu festival. This event encapsulates the breadth and depth of the Himalayan Buddhist experience, from the profound practices of Great Perfection meditation to the worship of the gods of the neighboring mountains. The festival uses archaic material as well as prayers written by contemporary lamas, and it entails the preparation of numerous works of ritual art such as man'd'alas constructed of colored sand and sculptures of barley flour and colored butter called tormas. Two days of public performance, a day of spiritual empowerment, and a day of masked dance complete the festival.

A description of Mani Rimdu from beginning to end, Lord of the Dance goes on to consider the structure of Tibetan ritual and its place within the history of South and Central Asian religions. In addition, the author discusses ritual as an art form and analyses the transformation of a textual tradition into performance art. Through the small window of the Himalayan festival, the book overlooks the vast horizon of the Buddhist experience.

List of Tables
List of Illustrations
Foreword Matthew T. Kapstein
Preface
Sources and Methodology
Abbreviation Key

Part I. Orientations
1. Introduction
2. The Gods
3. Deity Yoga
4. The Sworn Protectors
5. History: The Lord of the Dance Rituals
6. Tibetan Religious Dance
7. The Of

Part II. The Days
8. The Days
9. Day Zero: Exorcism
10. Day One: Site, Preparation, and Drawing the Mandala
11. Days Two to Four: Making the Ritual Objects
12. Day Five: Arranging the Ornaments
13. Days Six to Twelve: The Practice
14. The Public Days
15. Day Thirteen: Dance Rehearsal
16. Day Fourteen: Empowerment
17. Day Fifteen: Masked Dance
18. Day Sixteen: Burnt Offering, Releasing the Borders, Erasing the Sand
19. Day Seventeen: Invitation to the River

Part III. In Conclusion

20. Epilogue
21. Outline of Lord of the Dance/ Union of the Blissful Text
22. Outline of Playful Ocean Text
23. Outline of Followers Text

Notes
Bibliography
Index

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Date de parution

31 mai 2001

Nombre de lectures

0

EAN13

9780791491034

Langue

English

Poids de l'ouvrage

1 Mo

Lord of the Dance
SUNY Series in Buddhist Studies
Matthew Kapstein, Editor
Lord of the Dance
The Mani Rimdu Festival in Tibet and Nepal
Richard J. Kohn
State University of New York Press
Published by State University of New York Press, Albany
© 2001 State University of New York
All rights reserved
Printed in the United States of America
No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.
For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207
Production by Michael Haggett Marketing by Patrick Durocher
Library of Congress Cataloging-in-Publication Data
Kohn, Richard J., 1948– Lord of the dance : the Mani Rimdu Festival in Tibet and Nepal / Richard J. Kohn. p. cm. — (SUNY series in Buddhist studies) Includes bibliographical references and index. ISBN 0-7914-4891-6 (alk. paper) — ISBN 0-7914-4892-4 (pbk : alk. paper) 1. Mani Rimdu Festival. 2. Buddhism—Nepal—Steng-chen-dgon (Monastery : Thyångboche, Nepal)—Rituals. 3. Dance—Religious aspects—Buddhism. 4. Tantric Buddhism—Rituals—Texts. 5. Rñiñ-ma-pa (Sect)—Rituals. I. Title. II. Series.
BQ5720.M28 K64 2001 294.3'436'095496—dc21
10 9 8 7 6 5 4 3 2 1
00-055622
To Jack
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Contents
List of Tables List of Illustrations ForewordMatthew T. Kapstein Preface Sources and Methodology Abbreviation Key Part I Orientations 1 Introduction 2 The Gods 3 Deity Yoga 4 The Sworn Protectors 5 History: The Lord of the Dance Rituals 6 Tibetan Religious Dance 7 The Officiants Part II The Days 8 The Days 9 Day Zero: Exorcism 10 Day One: Site, Preparation, and Drawing the Ma®Ôala 11 Days Two to Four: Making the Ritual Objects 12 Day Five: Arranging the Ornaments 13 Days Six to Twelve: The Practice 14 The Public Days 15 Day Thirteen: Dance Rehearsal 16 Day Fourteen: Empowerment 17 Day Fifteen: Masked Dance 18 Day Sixteen: Burnt Offering, Releasing the Borders, Erasing the Sand 19 Day Seventeen: Invitation to the River
vii
ix xiii xvii xxi xxv xxxiii
3 9 31 35 49 55 63
69 73 87 113 135 141 163 165 175 185
237 251
viii
CONTENTS
Part III In Conclusion 20 Epilogue 21 Outline of Lord of the Dance / Union of the Blissful Text 22 Outline ofPlayful Ocean Text 23 Outline ofFollowers Text
Notes Bibliography Index
259 265 269 275
277 333 355
Part I
Tables
The Passions Purified The Four Shingon Emblems The Four Sorceresses Animal-Headed Goddesses of the Four Doors The Goddesses of Direction The Eight Sorceresses of the Holy Places in the Book of the Dead Typology of the Great Protectors Protector Ritual Schedule The Followers Mani Rimdu Schedule Washing theLingka Tormas Used in Mani Rimdu Protector Tormas Followers Tormas The Five Buddha Families The Three Aspects of the Highest Unelaborated Empowerment Dance and Its Rituals Protector Dance at Different Monasteries Protector Dance Masks and Props Liberation Dances Compared
i
x
ix
22 24 24 26 27
27 42 47 47 70 76 122 128 131 153
155 187 209 210 230
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