Political Sublime , livre ebook

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In The Political Sublime Michael J. Shapiro formulates an original politics of aesthetics through an analysis of the experience of the sublime. Turning away from Kant's analysis of the sublime experience as a validation of the existence of a universal common sense, Shapiro draws on Deleuze, Lyotard, and Ranciere to show how incomprehensible events and dilemmas provide openings for new political formations. He approaches the sublime through a range of artistic and cultural texts that address social crises and natural disasters, from the writing of James Baldwin and Ta-Nehisi Coates to the films of Ingmar Bergman and Spike Lee; these works suggest ways to channel the disruptive effects of the sublime into resistance to authority and innovative political initiative. Whether stemming from the threat of nuclear annihilation or the aftermath of an earthquake, the violence of racism and terrorism or the devastation of industrialism, sublime experience, Shapiro contends, allows for a rethinking of events in ways that reveal, redistribute, and create conditions of possibility for alternative communities of sense.
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Date de parution

15 mars 2018

EAN13

9780822372059

Langue

English

Poids de l'ouvrage

15 Mo

THE POLITICAL SUBLIME
HE AA series edited by Erin Manning and Brian Massumi THOUGHT IN T CT
THE POLITICAL SUBLIM E
MICHAEL J. SHAPIRO
Duke University Press
Durham and London
2018
© 2018 Duke University Press All rights reserved Printed in the United States of America on acid-free paperDesigned by Courtney Leigh Baker Typeset in Whitman by Graphic Composition, Inc., Bogart, GA. Library of Congress Cataloging-in-Publication Data Names: Shapiro, Michael J., author. Title: The political sublime / Michael J. Shapiro. Description: Durham : Duke University Press, 2018. | Series: Thought in the act | Includes bibliographical references and index. | Identifiers:LCCN2017035993 (print) 2017045061 (ebook) LCCN ISBN9780822372059 (ebook) ISBN9780822370338 (hardcover : alk. paper) ISBN9780822370529 (pbk. : alk. paper) Subjects:LCSH: Sublime, The—Political aspects. | Aesthetics—Political aspects. | Political science—Philosophy. Classification:LCCBH301.S7 (ebook) |LCCBH301.S7S537 2018 (print) |DDC111/.85—dc23 LCrecord available at https://lccn.loc.gov/2017035993
Cover art: David Maisel,Terminal Mirage I, 2003. Courtesy the artist / www.davidmaisel.com. © David Maisel.
Duke University Press gratefully acknowledges the University of Hawaii at Manoa, Department of Political Science, which provided funds toward the publication of this book.
For Hannah
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Acknowledgments ix
 1 INTRODUCTIONTHE INSISTENCE OF THE SUBLIME
contents
1. 13  WHEN THE EARTH MOVESTOWARD A POLITICAL SUBLIME
2. 41  THE RACIAL SUBLIME
3. 68  THE NUCLEAR SUBLIME
4. 101  THE INDUSTRIAL SUBLIME
5. 133  THE 9/11 TERROR SUBLIME
 169 AFTERWORDIT’S ALL ABOUT DURATION
Notes 173
Bibliography 193
Index 209
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acknowledgments
I am grateful for the support of many who welcomed my investigation of the political aspects of the sublime in its initial stages and subsequently in draft form. Thanks are owed to the series editors, Brian Massumi and Erin Manning, and Duke University Press’s Editorial Director, Ken Wis-soker, who welcomed the project enthusiastically when it was in its incho-ate form. Thereafter my editor Courtney Berger managed an outstanding review process and provided important editing suggestions that helped me reshape my introduction. The two reviewers (one of whom was Davide Pa-nagia and one who remained anonymous) provided suggestions that were cogent and helped me clarify my project and make the text’s intentions more intelligible to the reader (as well as to me). I couldn’t have had betterreviewers. Some of the chapters’ drafts have been presented at colloquia and pro-fessional conferences. For the invitations and acceptances that made that possible I am grateful to Yehonatan Abramson, Libby Anker, Marieke de Goede, Brad Evans, Caroline Holmqvist, Sankaran Krishna, Joao Nogueira, Nandita Sharma, Lars Toender, Roberto Yamato, and Andreja Zevnik. Thanks also to Sam Opondo and Andreja Zevnik for their suggestions that helped me reshape chapter 1. And finally, special thanks are owed to my students in the University of Hawai’i’s Political Science program and in the Pontifical Catholic University of Rio de Janeiro’s Institute for International Relations, who heard and reacted generously to chapter drafts delivered inlectures. Finally, I want to express my appreciation to the Duke personnel who helped manage the production process—Sandra Korn, Bonnie Perkel, Lisa Bintrim, and Christi Stanforth—and freelance copyeditor Stephanie Sakson.
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