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In Mapping the Americas, Shari M. Huhndorf tracks changing conceptions of Native culture as it increasingly transcends national boundaries and takes up vital concerns such as patriarchy, labor and environmental exploitation, the emergence of pan-Native urban communities, global imperialism, and the commodification of indigenous cultures. While nationalism remains a dominant anticolonial strategy in indigenous contexts, Huhndorf examines the ways in which transnational indigenous politics have reshaped Native culture (especially novels, films, photography, and performance) in the United States and Canada since the 1980s. Mapping the Americas thus broadens the political paradigms that have dominated recent critical work in Native studies as well as the geographies that provide its focus, particularly through its engagement with the Arctic. Among the manifestations of these new tendencies in Native culture that Huhndorf presents are Igloolik Isuma Productions, the Inuit company that has produced nearly forty films, including Atanarjuat, The Fast Runner; indigenous feminist playwrights; Leslie Marmon Silko's Almanac of the Dead; and the multimedia artist Shelley Niro.Huhndorf also addresses the neglect of Native America by champions of "postnationalist" American studies, which shifts attention away from ongoing colonial relationships between the United States and indigenous communities within its borders to U.S. imperial relations overseas. This is a dangerous oversight, Huhndorf argues, because this neglect risks repeating the disavowal of imperialism that the new American studies takes to task. Parallel transnational tendencies in American studies and Native American studies have thus worked at cross-purposes: as pan-tribal alliances draw attention to U.S. internal colonialism and its connections to global imperialism, American studies deflects attention from these ongoing processes of conquest. Mapping the Americas addresses this neglect by considering what happens to American studies when you put Native studies at the center.
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Date de parution

15 décembre 2010

Nombre de lectures

0

EAN13

9780801458804

Langue

English

Poids de l'ouvrage

3 Mo

Mapping the Americas
Mapping the Americas
The Transnational Politics of Contemporary Native Culture
Shari M. Huhndorf
Cornell University Press Ithaca and London
Copyright © 2009 by Cornell University
All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850.
First published 2009 by Cornell University Press Printed in the United States of America
Library of Congress CataloginginPublication Data
Huhndorf, Shari M. (Shari Michelle), 1965–  Mapping the Americas : the transnational politics of contemporary native culture / Shari M. Huhndorf.  p. cm.  Includes bibliographical references and index.  ISBN 9780801448003 (cloth : alk. paper)  1. Indians of North America—Ethnic identity. 2. Indians of North America—Politics and government. 3. Indian arts—North America. 4. Eskimos—Alaska—Ethnic identity. 5. Eskimos—Alaska—Politics and government. 6. Inuit—Canada—Ethnic identity. 7. Inuit— Canada—Politics and government. I. Title.
E98.E85H84 2009 323.1197—dc22
2009000524
Cornell University Press strives to use environmentally responsible suppliers and materials to the fullest extent possible in the publishing of its books. Such materials include vegetablebased, lowVOC inks and acidfree papers that are recycled, totally chlorinefree, or partly composedof nonwood fibers. For further information, visit our website at www.cornellpress.cornell.edu.
Cloth printing
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For Enrique and our amazing children Rita, Emilio, and Miguel
List of Illustrations
Acknowledgments
Note on Terminology
Contents
Introduction: Native American Studies and the Limits  of Nationalism
1. Colonizing Alaska: Race, Nation, and the Remaking of Native America
2. “From the Inside and through Inuit Eyes”: Igloolik Isuma Productions and the Cultural Politics of Inuit Media
3. Indigenous Feminism, Performance, and the Gendered Politics of Memory
4. Picture Revolution: “Tribal Internationalism” and the Future of the Americas in Leslie Marmon Silko’s Almanac of the Dead
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v i i i C o n t e n t s
Coda: Border Crossings
Works Cited Index
172 179 193
Illustrations
1. Exhibition poster of drawings from the 1890s by Eskimo students, 1928
2. Cascade Court, AlaskaYukonPacific Exposition, 1909
3. Official seal of the AlaskaYukonPacific Exposition, 1909
4. “Educated Eskimos”: official postcard of the AlaskaYukonPacific Exposition, 1909
5. “Igorotte Baby from the Phillipines [sic] and Eskimo Baby from Alaska”: official postcard of the Alaska YukonPacific Exposition, 1909
6. Igorot village, AlaskaYukonPacific Exposition, 1909
7. Eskimo village, AlaskaYukonPacific Exposition, 1909
8. Shelley Niro,The Border,1997 installation at the Longyear Museum of Anthropology, Colgate University
27 54 56
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60 64 66
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