Fugitive Life , livre ebook

icon

201

pages

icon

English

icon

Ebooks

2018

Lire un extrait
Lire un extrait

Obtenez un accès à la bibliothèque pour le consulter en ligne En savoir plus

Découvre YouScribe et accède à tout notre catalogue !

Je m'inscris

Découvre YouScribe et accède à tout notre catalogue !

Je m'inscris
icon

201

pages

icon

English

icon

Ebooks

2018

Lire un extrait
Lire un extrait

Obtenez un accès à la bibliothèque pour le consulter en ligne En savoir plus

During the 1970s in the United States, hundreds of feminist, queer, and antiracist activists were imprisoned or became fugitives as they fought the changing contours of U.S. imperialism, global capitalism, and a repressive racial state. In Fugitive Life Stephen Dillon examines these activists' communiques, films, memoirs, prison writing, and poetry to highlight the centrality of gender and sexuality to a mode of racialized power called the neoliberal-carceral state. Drawing on writings by Angela Davis, the George Jackson Brigade, Assata Shakur, the Weather Underground, and others, Dillon shows how these activists were among the first to theorize and make visible the links between conservative "law and order" rhetoric, free market ideology, incarceration, sexism, and the continued legacies of slavery. Dillon theorizes these prisoners and fugitives as queer figures who occupied a unique position from which to highlight how neoliberalism depended upon racialized mass incarceration. In so doing, he articulates a vision of fugitive freedom in which the work of these activists becomes foundational to undoing the reign of the neoliberal-carceral state.
Voir icon arrow

Publié par

Date de parution

07 juin 2018

EAN13

9780822371892

Langue

English

Poids de l'ouvrage

7 Mo

F U G I T I V E L I F E
F U G I T I V E L I F EP O L I T I C SQ U E E R T H E
O F T H E P R I S O N S TAT ES T E P H E N D I L LO N
Duke Unîversîty Press
Durham and London 2018
© 2018 DUKE UNIVERSITY PRESS ALL RIGHTS RESERVED Prînted în the Unîted States o Amerîca on acîd-ree paperText desîgned by Courtney Leîgh Baker Cover desîgned by Matt Tauch Typeset în Whîtman by Westchester Pubîshîng Servîces
Lîbrary o Congress Cataogîng-în-Pubîcatîon Data Names: Dîon, Stephen, [date–] author. Tîte: Fugîtîve îe : the queer poîtîcs o the prîson state / Stephen  Dîon. Descrîptîon: Durham : Duke Unîversîty Press, 2018. | Incudes  bîbîographîca reerences and îndex. Identîfiers:lccn2017051974 (prînt) |lccn2017060640 (ebook) isbn9780822371892 (ebook) isbn9780822370673 (hardcover : ak. paper) isbn9780822370826 (pbk. : ak. paper) Subjects:lcsh: Gays—Poîtîca actîvîty—Unîted States— Hîstory—20th century. | Prîsoners—Cîvî rîghts—Unîted States. |  Socîa movements—Unîted States—Hîstory—20th century. |  Protest movements—Unîted States—Hîstory—20th century. |  Gay actîvîsts—Unîted States. | Antî-racîsm—Unîted States— Hîstory—20th century. | Neoîberaîsm—Socîa aspects—Unîted  States—Hîstory. Cassîficatîon:lcc hq76.8.u6 (ebook) |lcc hq76.8.u6d55 2018  (prînt) |ddc306.76/60973—dc23 lcrecord avaîabe at https://ccn.oc.gov/2017051974
Cover art: Coco Fusco, stî roma/k/a Mrs. George Gîlbert, 2004. Back-and-whîte sînge-channe vîdeo. Courtesy o the artîst.
Acknowedgments vîî
Introductîon. “Escape-Bound Captîves”: Race, Neoîberaîsm, and the Force o Queerness 1
1. “We’re Not Hîdîng but We’re Invîsîbe”: Law and Order, the Temporaîty o Vîoence, and the Queer Fugîtîve 27
2. Lîe Escapes: Neoîbera Economîcs, the Underground, and Fugîtîve Freedom 54
3. Possessed by Death: Back Femînîsm, Queer Temporaîty, and the Aterîe o Savery 84
contents
4. “Ony the Sun Wî Beach Hîs Bones Quîcker”: Desîre, Poîce Terror, and the Afect o Queer Femînîst Futures 119
Concusîon. “Beîng Captured Is Besîde the Poînt”: A Word beyond the Word 143
Notes 155 Bîbîography 171 Index 185
This page intentionally left blank
acknowledgments
In an întervîew about hîs reatîonshîp wîth Mîche Foucaut, Gîes De-euze descrîbes Foucaut, not as an îndîvîdua subject, but as a dîfuse orce he caed “passîon.” The întensîty o passîon was contrasted to the eeîng o “ove.” Love was a name or becomîng through other peope—a reatîon be-tween dîscrete îndîvîduas. In contrast to ove, passîon named an attempt to comprehend how one can become “dîssoved înto somethîng undîfer-entîated.” Passîon îs a state whereîn “beîng onese no onger made any sense.” It îs a state whereîn ît îs no onger possîbe to say “That’s you” and “Thîs îs me.” Beîng “me” îs sîmpy încomprehensîbe. Passîon îs an afectîve întensîty where ove îs no onger the rîght word. For Deeuze, Foucaut wasntîkeaperson.Hewasaaugh,agesture,achangedatmosphere,an “event,” a “magnetîc fied,” or sîmpy and îndescrîbaby, “somethîng.” Foucaut was a pîece o Deeuze—but not quîte a pîece—because one can remove a pîece, îdentîy ît, name ît, mark ît. Beîng a part o someone îs stî under the anaytîc o ove. Passîon can’t be undone. I begîn wîth thîs anecdote because ît descrîbes the probem wîth thank-îng the “you” that heped “me” wîth competîng what has become a book underthenameIwasgîven.Thepeopenamedhere,andmanymorewhoare not, dîd not sîmpy hep me wrîte, read, and thînk; they are entanged wîth what îs here. The fictîon o me woudn’t be possîbe wîthout everyone that made me, me. Wîth that în mînd, what îs here woud sîmpy not exîst wîthout the physîca, emotîona, and epîstemoogîca support and encour-agement o my advîsors în graduate schoo, Regîna Kunze and Roderîck Ferguson. Rod’s patîence, kîndness, humor, generosîty, and genîus wî a-ways be a mode or me as I navîgate a word that so oten eaves peope unabe to augh în the ace o so much stress, rustratîon, vîoence, and de-spaîr. He aways heped me find my way when I got ost, and I thînk o hîm
în moments arge and sma when what ooks îke the rîght way îs never sîmpy that. He contînues to provîde a path or me to oow—a comort when so much seems încomprehensîbe and împossîbe. Fîve years ago I wrote that I dîdn’t know how to descrîbe Reg’s dedîcatîon, compassîon, generosîty, humîîty, brîîance, and însîght. I saîd that one day I woud fig-ure out how to descrîbe her împact on me. Now that the tîme îs here, the task stî eudes me. But thîs aîure now ees approprîate—I’d rather eave ît wîth the wordsgesture, event, atmosphere, andsomethîng. The Department o Amerîcan Studîes at the Unîversîty o Mînnesota ofered me a pace to do what I wanted and needed to do în a word where that îs oten not possîbe. I’m grateu to have earned so much rom Kevîn Murphy, Jennîer Pîerce, Laurîe Oueette, and Zenzee Isoke. I’m aso grateu to have had a communîty o so many wonderu peope engaged în sîmîar epîstemoogîca strugges: Jasmîne Mîtche, Kate Beane, Patrî-cîa Marroquîn Norby, Benjamîn Wîggîns, Matthew Schneîder-Mayerson, Raeche Tîfe, Eîzabeth Aut, Juîana Hu Pegues, Tom Sarmîento, Rudy Aguîar, Ryan Cartwrîght, Karîsa Buter-Wa, Ryan Murphy, Mîchae Davîd Frankîn, Danîe LaChance, Anîruddha Dutta, Tammy Owens, Mîchee Garvey, Jessîca M. Petocz,and Kara M. Padrón. Rememberîng Jesús Estrada Pérez aways makes me smîe în the darkest o tîmes. Myr Beam, A. J. Lewîs, and Eî Vîtuî heped me through many as-pects o the eary stages o thîs project. Theîr rîendshîp, support, humor, and însîght durîng and ater graduate schoo have been învauabe. I’m so grateu or theîr thînkîng and presence. As a transpant to New Engand, I am aways excîted to be near peope rom the Mîdwest. It was such a joy to spend two years wîth Eî as coeagues în the Fîve Coeges. I was aso ucky enough that my Mînnesota rîend Eîzabeth Sharrow got a job at the Unîversîty o Massachusetts at the same tîme I accepted a posîtîon at Hampshîre Coege. She’s been such a support through moments arge and sma, hîarîous (bears!), bîzarre, and horrîyîng. I’m aso grateu or new rîends I’ve made în a new part o the country: Jues Rosskam, Aex Samets, Mara Toone, Deborah Schwartz, and Aeryca Steînbauer. Pooja Rangan and Josh Guîord have aways been unflînchîngy supportîve, hîarîous, and excîted. Pooja heped demystîy much o the process o wrîtîng a book. Bernadîne Meîs, Andrea Lawor, Hart, and Jordy Rosenberg are the most amazîng rîends I coud ask or. Theîr encouragement, curîosîty, questîons, excîtement, knowedge, and support have meant everythîng to me. Creat-îng work în the same sma word as them has been a true joy. I’m thanku
viii AcknowLEDGmEnTS
to Jordy or hepîng wîth the ourth chapter and takîng through my many questîons and concerns on our împromptu waks. Bernadîne gave me a tîte în our many tîte workshops on snowy nîghts that I dîd not use. I’m grateu or ît because ît heped as I edîted and revîsed. I’m hodîng on to ît or another tîme. I’m so apprecîatîve o my coeagues at Hampshîre Coege or theîr support and encouragement: Angîe Wîey, Jennîer Hamîton, Amy Jordan, Chrîs Tînson, Jutta Sperîng, Udîtî Sen, Hîba Bou Akar, Rache Ama Asaa Engmann, Djoa Branner, Wîson Vaentín-Escobar, Marene Frîed, Lîî Kîm, Susana Loza, Krîsten Luschen, Favîo Rîsech-Ozeguera, George Fouras, Mîchee Hardesty, and many more. My students heped me thînk through many o the book’s centra questîons. Theîr openness, curîosîty, and ex-cîtement îs înspîrîng and theîr brîîance îs oten breathtakîng. A dîspersed group o peope have supported my work by învîtîng me to gîve a tak, pubîsh an artîce, or partîcîpate on a pane, or have ofered me encouragement în ways mînor but sîgnîficant. I first read Dean Spade’s work as an eîghteen-year-od a decade and a ha ago; to have had hîm en-gage my work over the past decade has been thrîîng. Erîc Staney, Craîg Wîse, Jason Stah, and Mîchee Potts were wonderu înterocutors and edîtors o some o my earîer thînkîng. Sarah Haey gave me a boost at an eary mornîng pane that meant so much to me. Abbîe Boggs has been sup-portîve and excîted even ater movîng a the way to Connectîcut. I aways ook orward to a chance to see Perry Zurn and Andrew Dîts; they have been supportîve and excîted about my work rom the moment I met them and earnîng rom them has been a true peasure. Ken Wîssoker beîeved în thîs project rom the begînnîng and guîded me through the edîtîng process so that my memorîes o finîshîng are u o grace and ease. Eîzabeth Aut was there or a my questîons and concerns; I’m thanku or her kîndness and encouragement. I’m aso deepy grateu and îndebted to two anonymous revîewers or theîr care, însîght, concerns, questîons, and enthusîasm. Susan Abury guîded the book through copy edîtîng and productîon and the copy edîtîng o Judîth Hoover was a joy to work wîth. The artîst Henry Schneîderman created the îndex. My twîn sîster, Mîchee, cheered and capped and chanted me on every step o the way. We have been together sînce beore our first breath—I hope some o that breath comes through here. My parents, Mîchae and Marcîa, were aways there wîth questîons, support, and encouragement even when I coud ony eave them conused. I hope the book îves up to
AcknowLEDGmEnTSix
Voir icon more
Alternate Text