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This volume presents studies of some of the key artistic manifestations in Catalonia in recent times, a period of innovation and experimentation, and addresses issues concerning literature, film, theatre and performance art. From the creation of a new popular theatre in the work of the Valencian playwright Rodolf Sirera, or the conception of landscape, myth and memory in the late work of the novelist Mercè Rodoreda and the urgency of memory and remembrance in the writings of Jordi Coca, the effects of censorship in Catalonia appear to have proved a spur and a challenge to writers. Desiring to occupy illegal spaces, performance groups have manifested both literally and metaphorically the international dimension of Catalan culture in the modern period, posed in the present volume by the instances of La Cubana and Els Joglars, and further evidenced in the cross-fertilization in the work of contemporary Catalan playwrights and filmmakers to foreground issues of national plurality and tensions arising between the periphery (Catalonia) and the centre (Spain and Castile).


Index
Tabula Gratulatoria
Series Editors’ Foreword
Notes on contributors
Introduction D. Gareth Walters
A ‘Natural History’ of Return: Landscape, Myth and Memory in the Late Work of Mercè Rodoreda - Helena Buffery
‘La totalidad de la obra se representará en perfecto castellano’: Censorship of Theatre in Catalonia after the Civil War - Michael Thompson
Rodolf Sirera’s El verí del teatre (The Audition): Creating Performance, Reality and Politics On Stage - John London
‘Antes eterna o negra que rota’: ¡Ay, Carmela! and the Mythic Unity of Spain - Dominic Keown
‘… And the Great Bird of War Flew Past with Its Wings Outstretched’: The Aesthetic Recreation of Trauma in Jordi Coca’s Sota la pols (2001) - Jordi Cornellà-Detrell
Unmasking the Mask: Controversia del Toro y el Torero (Els Joglars, 2006) and the Craft of Theatremaking - Lourdes Orozco
On Influence, Tradition and Other Anxieties: Some Dilemmas of the Contemporary Catalan Stage - Sharon G. Feldman
La Cubana in the Twenty-first Century: The Popular and the Political - Maria M. Delgado
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Date de parution

28 mars 2018

EAN13

9781786832023

Langue

English

Poids de l'ouvrage

3 Mo

ïBERïAN AND ATïN AMERïCAN STUDïES
Cataan Cuture
Serîes Edîtors Pôféŝŝô Dàî Géôé (Swàŝéà Uîéŝîy) Pôféŝŝô Pàû Gàé (Uîéŝîy ôf ééŝ)
Edîtorîa Board Dàî Fîé (Uîéŝîy ôf ééŝ) îŝà Shàw (Uîéŝîy ôf îéôô) Gàéh Wàéŝ (Swàŝéà Uîéŝîy) Rô Sôé (Uîéŝîy ôf Bîîhà) Dàî Gîéŝ (Uîéŝîy ôf Vîîîà) Càhéîé Dàîéŝ (Uîéŝîy ôf ôô) Rîçhà Céîŝô (Uîéŝîy ôf ééŝ) Dûçà Whééé (Uîéŝîy ôf ééŝ) Jô ààyî (Néw Yôk Uîéŝîy) Rôé Bàà (Uîéŝîà Nàçîôà Aûóôà é MÈxîçô)
Other tîtes în the serîes Cààà Càôôŝ: A Cûûà à Pôîîçà Hîŝôy Rhîannon McGade Réôûîôàîéŝ, Rééŝ à Rôéŝ: Thé Gôé Aé ôf Bàîy î Méxîçô, àî Aéîçà à hé Chîçàô Aéîçà ŝôûhwéŝ, 1850–1950 Pascae Baker Tééŝà Màôéŝ à hé Aéŝhéîçŝ ôf Déàh Juîa Banwe Gàîçîà, A Séîéà Nàîô Heena Mîgueez-Carbaeîra Thé Bàzîîà Rôà Môîé Sara Brandeero Thé Sàîŝh Cîî Wà Anîndya Raychaudhurî Thé Méxîçà Tàŝîîô: Pôîîçŝ, Cûûé à Déôçàçy î hé Twéy-Iŝ Céûy Roger Bartra Aôfô Bîôy Càŝàéŝ: Bôéŝ, Fîçîô à A Kar Posso
ïBERïAN AND ATïN AMERïCAN STUDïES
Cataan Cuture Experîmentatîon, creatîve îmagînatîon and the reatîonshîp wîth Spaîn
Eŝŝàyŝ î hôôû ôf Dàî Géôé
Eîé y OYD HUGHES DAVïES, J. B. HA AND D. GARETH WATERS
UNïVERSïTY OF WAES PRESS 2018
© Thé Côîûôŝ, 2018
A îhŝ éŝéé. Nô à ôf hîŝ ôôk ày é éôûçé î ày àéîà fô (îçûî hôôçôyî ô ŝôî î î ày éîû y ééçôîç éàŝ à whéhé ô ô àŝîéy ô îçîéày ô ŝôé ôhé ûŝé ôf hîŝ ûîçàîô) wîhôû hé wîé éîŝŝîô ôf hé çôyîh ôwé. Aîçàîôŝ fô hé çôyîh ôwé’ŝ wîé éîŝŝîô ô éôûçé ày à ôf hîŝ ûîçàîô ŝhôû é àéŝŝé ô hé Uîéŝîy ôf Wàéŝ Péŝŝ, 10 Côûûŝ Wàk, Bîàîé Pàçé, Càîff CF10 4UP.
www.uwp.co.uk
Brîtîsh Lîbrary CIP A çààôûé éçô fô hîŝ ôôk îŝ ààîàé fô hé Bîîŝh îày.
ïSBN é-ïSBN
978-1-78683-201-6 978-1-78683-202-3
Thé îh ôf hé Côîûôŝ ô é îéîIé àŝ àûhôŝ ôf hîŝ wôk hàŝ éé àŝŝéé î àççôàçé wîh ŝéçîôŝ 77 à 79 ôf hé Côyîh, Déŝîŝ à Pàéŝ Aç 1988.
Côéŝôéçé/Côéŝôèçîà Rîçhà Thôŝô
Tyéŝé y Màk Héŝîô , Sçàôôûh, Nôh Yôkŝhîé Pîé y CPï Aôy Rôwé, Mékŝhà
Contents
Dàî Géôé: Twô éŝôà éçôéçîôŝ
Dàî Géôé: Pûîçàîôŝ
îî
Nôéŝ ô Côîûôŝ x ïôûçîô 1 D. Gareth Waters A ‘Nàûà Hîŝôy’ ôf Réû: àŝçàé, Myh à Méôy î hé àé Wôk ôf Méçè Rôôéà 14 Heena Buffery‘à ôàîà é à ôà ŝé ééŝéàá é éféçô çàŝéàô’: Céŝôŝhî ôf Théàé î Cààôîà àfé hé Cîî Wà 35 Mîchae Thompson Rôôf Sîéà’ŝE verí de teatre(The Audîtîon): Céàî Péfôàçé, Réàîy à Pôîîçŝ O Sàé 60 John London ‘Aéŝ ééà ô éà qûé ôà’:¡Ay, Carmea!à hé Myhîç Uîy ôf Sàî 98 Domînîc Keown‘… A hé Géà Bî ôf Wà Féw Pàŝ wîh ïŝ Wîŝ Oûŝéçhé’: Thé Aéŝhéîç Réçéàîô ôf Tàûà î Jôî Côçà’ŝSota a pos(2001) 117 Jordî Corneà-Detre Uàŝkî hé Màŝk:Controversîa de Toro y e Torero(Eŝ Jôàŝ, 2006) à hé Càf ôf Théàéàkî 138 Lourdes Orozco
î
Cataan Cuture
O ïLûéçé, Tàîîô à Ohé Axîéîéŝ: Sôé Dîéàŝ ôf hé Côéôày Cààà Sàé Sharon G. Fedmanà Cûàà î hé Twéy-Iŝ Céûy: Thé Pôûà à hé Pôîîçà Marîa M. Degadoïéx Tàûà Gàûàôîà
156
173
195 203
Davîd George: Two persona recoectîons
ï 1966 ï wàŝ àôîé àŝ à Aŝŝîŝà éçûé î Sàîŝh î hé hé Déàé ôf Rôàçé Sûîéŝ à Uîéŝîy Côéé Swàŝéà héàé y hé îŝîûîŝhé Ràçîîà, Rôy Kîh. Wîh hé àî ôf à à-îé çôéŝàîôà àŝŝîŝà, Mààîà Bàké, Sàîŝh wàŝ éŝàîŝhé àŝ à Pà Oé çôûŝé ôy, hé ûéŝ ôf ûéàû-àéŝ éî àûày îîé ô hôŝé whô çàé î wîh A-éé Sàîŝh à îéî ô ô, ŝày, Féçh fô Pà Twô ôf héî BA. Afé à çôûé ôf yéàŝ, à Pà Twô Gééà Dééé î Sàîŝh (àé Jôî Hôôûŝ) wàŝ çéàé à àîîôà ŝàfI wàŝ ééé. ï hà é Dàî Géôé î 1969 à hé Iŝ Uîéŝîy ôf Wàéŝ ïé-CôéîàéSàîŝhCôfééçéhéàGéyôHà,Pôwyŝ,à ôàîzé y Nôà Shéô whô hà éçéy çôé ô ôççûy hé Chàî î Càîff. Aô hé àîôûŝ çôîûîôŝ wàŝ à ôî ààyŝîŝ ôf Aôîô Màçhàô’ŝ ôé, ‘A ôîàŝ é Dûéô’, îéŝŝîéy éîéé y héé Càîff Ià-yéà ûéàûàéŝ, D. Gàéh Wàéŝ, Pàéà Phîîŝ (àé ô é Pàéà Bàçàîŝŝé) à Dàî hîŝéf; à wôû ŝûŝéqûéy ô ô ô hàé îŝî-ûîŝhé àçàéîç çàééŝ. ï wàŝ à whé, à féw yéàŝ àé, Dàî, hé éà ô çôéî hîŝ PhD, wàŝ àôîé Iŝ ô à ûôŝhî î Swàŝéà à hé, whé Aé Dîééŝ éçàé Héà ôf Rôàçé Sûîéŝ, ô à éçûéŝhî. Dàî ôé ô é à îéà fîé à çôéàûé, éŝàîé, çhééfû, îéfàîàé à àwàyŝ éàŝy ô é ô wîh. Aà fô àûàé éàçhî, wé ôh ééé ô éçûé à îé ûôîàŝ ô hé whôé àé ôf Hîŝàîç îéà-ûé – Dàî, fô îŝàçé, ôfféîE Conde Lucanor, ô hé Méîéà Téxŝ ŝyàûŝ: î hôŝé àyŝ àçàéîçŝ wéé, ôf çôûŝé, àççûŝôé ô éàçhî ôûŝîé héî ŝéçîàîŝ àéàŝ ôf éŝéàçh îééŝ. ï hé
îîî
Cataan Cuture
éày 1980ŝ wô ôé éçûéŝ wéé àôîé, ôé ôf whô, Pàû Gàé, wôû àé ôççûy hé Chàî î ééŝ. Thîŝ éàŝé hé ûé ô Dàî à yŝéf à wé wéé àé ô éôé ôé îé ô éŝéàçh à ô ôàéî hé ûéàûàé ŝyàûŝ. Dàî wàŝ îŝûéà î ééôî Cààà wîh hé ŝûô ôf hîŝ wîfé, Aòîà Bàí, ôîîày àôîé àŝ à Sàîŝh ûô. Whé Déék Gàé çàé fô Màçhéŝé ô héà hé éwy çéàé Déàé ôf Hîŝàîç Sûîéŝ î hé éày 1990ŝ, Dàî hà hé ŝîûûŝ ôf à çôéàûé whôŝé éŝéàçh îééŝŝ wéé çôŝé ô hîŝ ôw; hé ŝûéç ôw Lôûîŝhé: ŝààîçà éàé éçàé ôŝŝîé, éw àôîéŝ wéé àé, îçûî ôy Hûhéŝ Dàîéŝ whô hà Iŝ çôé ô Swàŝéà ô ô hîŝ PhD ô hé Uûûàyà wîé, Jûà Càôŝ Oéî, àfé çôéî hîŝ BA à Bîŝô, à whô hàŝ ŝîçé àé à àé fô hîŝéf àŝ à éàî àî Aéîçàîŝ. Dàî wàŝ y ôw éçôî wé-kôw fô hîŝ wôk ô ôé Sàîŝh à Cààà àà, à wé wéé à éàŝé y hîŝ àôî-é ô à Séîô éçûéŝhî, à Réàéŝhî à ééûày à Péŝôà Chàî: hé çôîûé ô é à ŝîûàî à éfféçîé éçûé à ûô whô àwàyŝ wô hé éŝéç à àfféçîô ôf hîŝ ûîŝ. Ué Déék’ŝ ééôé ûîàçé, hé Déàé wàŝ àwàyŝ à éàŝà àçé î whîçh ô wôk à éàîé ŝô whé, àfé hîŝ éîéé, Dàî ôôk ôé à Gàéh ôîé ûŝ fô Exéé, hé whéé hûŝ ûî fû çîçé àfé ày yéàŝ. Bû y àîî éôy îŝ ôf hà éày îé whé Sàîŝh à Swàŝéà wàŝ ééŝéé ûŝ y Dàî à yŝéf: ô ô àfé hé ôàîé hîŝ éçûéŝhî, ôû Ià-yéà ûéàûàéŝ éŝéé ûŝ ŝhôy éfôé Chîŝàŝ wîh à àçé whîçh çôàîé wô ôéŝ ôf ŝhéy à wàŝ àéŝŝé ŝîy ô ‘Dô Qûîôé à Sàçhô Pàzà’. Péhàŝ Iîy, héy î ô îîçàé whîçh ôf ûŝ wàŝ ŝûôŝé ô é whîçh û î wàŝ éàŝî fô ûŝ ô é àŝŝôçîàé wîh hà îôà à îîŝŝôûé ûô, éàçh î hîŝ îfféé wày à ôé ôf wî à wîŝô. ï ŝhà àwàyŝ éàî àéfû ô Dàî fô éxéîfyî ôh î hîŝ îîîày fîéy à ôô-àûé àé ôé ŝô ày yéàŝ. J. B. Ha
Dàî Géôé wàŝ ô à é î hé Rhôà, à hîŝ ŝéŝé ôf hôŝîàîy à ôŝîîé ôûôôk ô îfé àé àîŝ hà àé éàîy
Davîd George: Two persona recoectîons
îx
àîûé ô hé éôé ôf hé Vàéyŝ. Hé ééé hé Rhôà Côûy Gàà Sçhôô fô Bôyŝ, Pôh (éé kôw ŝîy àŝ Pôh Côûy) ŝhôy éfôé hîŝ éééh îhày î Sééé 1959. Wîh hîŝîh, ôé ôf hé ôŝ îôà éçîŝîôŝ ôf hîŝ îfé wàŝ àé à çôûé ôf yéàŝ àé whé hé ôé ô ŝûy Sàîŝh. Thé àûàé wàŝ àûh y Géôéŝ Rôçhà, à Swîŝŝ éxàîàé y hé ô-ŝéé î hé Rhôà, whô hàŝ à çàî ô é hé ôŝ îLûéîà éàçhé ôf Sàîŝh î héŝé îŝàŝ à ŝçhôô éé, àŝ à ô-çàôfPôhàûîwhôàŝŝéhôûhhîŝhàŝééàŝ:Dàî wàŝ à éxàç çôéôày ôf îé; hé wàŝ îéîàéy éçéé y Bîà Pôwé à Rôé Hàà; fô à éàîé ééàîô, Jàçk Méfô à Gàéh Aà Dàîéŝ hà ôé hé ŝàé àh; whîé hé wîé Gwy Thôàŝ, fô ŝôé yéàŝ à Sàîŝh éàçhé à à ŝçhôô î Bày, hà àŝô éé à ûî ôf Rôçhà. îké ôhéŝ, Dàî hà éé ŝûfIçîéy îéŝŝé à ôûîŝhé y Rôçhà, whôŝé ôà çûûà îééŝŝ à ûŝîçà kôwéé hà ôéé hé éyéŝ ôf ày ôf hîŝ çhàéŝ ô whôé éw wôŝ ôf éxéîéçé, éyô àŝ wé àŝ îçûî Sàî. ï ûé çôûŝé Dàî ééé hé Uîéŝîy Côéé ôf Sôûh Wàéŝ à Môôûhŝhîé, àé ô é éŝîàé àŝ Càîff Uîéŝîy. ï wàŝ ààî à féôw-ŝûé ôf hîŝ, whîé Rôé Hàà, whô hà ûŝ ŝàé hîŝ ôçôà ŝûîéŝ, wàŝ à à-îé ûô. Thîŝ wàŝ à éàé hà à hà îé wàŝ héàé y Séhé Réçké à whéé JôŝÈ Màíà Aûîé, ôà Côŝé, Aéô Hàûf à Aéxàé Pîhéîô Tôéŝ wéé hé éàçhî. Réçké hà éŝàîŝhé à àîîôûŝ ôàé ôf ŝûy hà îçûé Pôûûéŝé à Cààà àŝ wé àŝ hé whôé àé ôf Sàîŝh îéàûé. ïéé, hé Càîff çôûŝé ŝééé, ôé hà ày ôhé éhàŝ, éŝîé àŝ à éààîô fô ûîéŝîy éàçhéŝ. Fô Dàî’ŝ çôhô, héé ôf hé ŝîx ŝûéŝ ôéŝŝé ô àçàéîç çàééŝ: Dàî hîŝéf, Pàéà Bàçàîŝŝé (hé Phîîŝ), à yŝéf. ï Càîff î hé 1960ŝ, àûàé éééŝ wéé ôf héé yéàŝ’ ûàîô ôy, à hé éîô ôf éŝîéçé àôà wàŝ ŝhàé éwéé à ôf hé ŝéçô yéà à hé ô àçàîô îô ô hé Ià yéà. îké ôhéŝ, Dàî éôé î hé ŝûé çôûŝé î Côîà, fôôwé y à ôh î îŝô, à à é à Màî Uîéŝîy, hé ŝûéç ô ŝûé ôéŝŝ à éôŝàîôŝ î hé yî yéàŝ ôf hé Fàçô éîé. Hîŝ Iŝ éxôŝûé ô Cààà wàŝ î à héé-wéék çôûŝé ôàîzé î à héàîçày çàéŝîé fàŝhîô y hé ïŝîû ’Eŝûîŝ Càààŝ. Théé wàŝ îé ŝî à hîŝ ŝàé, hôwéé, ôf
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The Brazilian Road Movie
Category

Ebooks

The Brazilian Road Movie

The Brazilian Road Movie Alternate Text
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Ebooks

Histoire

The Brazilian Road Movie

Book

257 pages

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English

Colonial and Post-Colonial Goan Literature in Portuguese
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Ebooks

Colonial and Post-Colonial Goan Literature in Portuguese

Paul Melo e Castro

Colonial and Post-Colonial Goan Literature in Portuguese Alternate Text
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Ebooks

Histoire

Colonial and Post-Colonial Goan Literature in Portuguese

Paul Melo e Castro

Book

272 pages

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Hermaphroditism, Medical Science and Sexual Identity in Spain, 1850–1960
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Ebooks

Hermaphroditism, Medical Science and Sexual Identity in Spain, 1850–1960

Richard Cleminson, Garcia Francisco

Hermaphroditism, Medical Science and Sexual Identity in Spain, 1850–1960 Alternate Text
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Ebooks

Medecine

Hermaphroditism, Medical Science and Sexual Identity in Spain, 1850–1960

Richard Cleminson, Garcia Francisco

Book

148 pages

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Madness and Irrationality in Spanish and Latin American Literature and Culture
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Ebooks

Madness and Irrationality in Spanish and Latin American Literature and Culture

Lloyd Hughes Davies

Madness and Irrationality in Spanish and Latin American Literature and Culture Alternate Text
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Etudes littéraires

Madness and Irrationality in Spanish and Latin American Literature and Culture

Lloyd Hughes Davies

Book

252 pages

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Postmodernity in Spanish Fiction and Culture
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Ebooks

Postmodernity in Spanish Fiction and Culture

Yaw Agawu-Kakraba

Postmodernity in Spanish Fiction and Culture Alternate Text
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Etudes littéraires

Postmodernity in Spanish Fiction and Culture

Yaw Agawu-Kakraba

Book

117 pages

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Graciliano Ramos and the Making of Modern Brazil
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Graciliano Ramos and the Making of Modern Brazil

S. Brandellero, L. Villares

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Beaux-arts

Graciliano Ramos and the Making of Modern Brazil

S. Brandellero, L. Villares

Book

264 pages

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The Spanish Anarchists of Northern Australia
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Ebooks

The Spanish Anarchists of Northern Australia

Robert Mason

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Histoire

The Spanish Anarchists of Northern Australia

Robert Mason

Book

105 pages

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Women, Memory and Dictatorship in Recent Chilean Fiction
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Ebooks

Women, Memory and Dictatorship in Recent Chilean Fiction

Gustavo Carvajal

Women, Memory and Dictatorship in Recent Chilean Fiction Alternate Text
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Histoire

Women, Memory and Dictatorship in Recent Chilean Fiction

Gustavo Carvajal

Book

114 pages

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Alternate Text