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The poems in this collection have been written across decades which had seen 9/11, the invasion of Iraq, the Tsunami devastations, the rise to power of fundamental forces and also now, the advent of chemical “war” debilitating the core human societal systems. Humans, in their mad rush of modernization, stepped into the digital age. It’s true that the digital fabrication in all realms of life has brought sophistication, convenience and financial strengths. But at the same time people are plunged into alienation and distress, sacrificing their simplicity and privacy. As Orwell mentioned, “one did not want to be loved so much as to be understood” – the global capitalist power in their pursuit for the next threshold of consumerism, has incarcerated the entire race in a cage of surveillance, greed and terror. And ironically, with full consciousness of these, every day we are giving in.
But as the ancient scripts say, noble thoughts are flowing from all directions and we have the works of Mandela, Malala, Al Gore, Nadia Murad and many more which are still making this planet a heartening place to live in, having good faith in our fellow individuals. Within these difficult times, people are dreaming, loving, singing, caring for their families, creating exhilarating artworks and giving birth to new lives, touching and to be touched by that one gleam of infant smile which overflows the mind with peace and fulfillment. These poems tried touching such moments, such passions, such memories and melancholies which in the cosmogonic specter of things might be nothingly futile but in the quiet corner of an individualistic mind, they melt, mold, smelter and fuse to make all our being, us
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Date de parution

22 décembre 2022

Nombre de lectures

0

EAN13

9781543708912

Langue

English

NOTHING TAKES ALL
ANINDYA GHOSH
 
 
 
 
 

 
Copyright © 2022 by Anindya Ghosh.
 
ISBN:
Hardcover
978-1-5437-0890-5

Softcover
978-1-5437-0892-9

eBook
978-1-5437-0891-2

 
All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the author except in the case of brief quotations embodied in critical articles and reviews.
 
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
 
Images by Rituparna Ghosh
 
 
 
www.partridgepublishing.com/india
Contents
Foreword
Nu
Aghora
On Seeing Nostalgia
Will Distances
The Zen in Death
Istanbul Diaries 1
Istanbul Diaries 2
Istanbul Diaries 3
Dreams and May Not Be
Love, yet Love
Rooms Are Blue, Falling
Come to the Frozen
Calcutta, Twilights
To My Daughter
Collapse
In Me Jungle, Cold You
Leaving or We, the Lonely Plays
Suicide on the Top of a Tree
The Sky, The Sky
To Mrs Sen
Kiarostami, The Sun and The Moon
Go River, I Wait
Burning, She Melts
Mists, Jerks, and War on the Radio
Ruhaniyat
Mandala and the Soul
The Bombing Starts When We Fuck
From Nowhere, Sulking
The Far, The Sadness
She Was, Who Is
Faces with Closed Eyes
Deep Scratches Lick My Heart
Jumping to The Next Cosmos
Night Rooms in London
The Canal
Pieces and How I Am Becoming Lonely
In the Rugs of a Sufi
Summer, Pledge Not to Dream
A Cup of Time
Movies and Graves of Kings
About The Author
Dedicated to
Amma and Maa
Foreword

Poetry. The gurus have decreed, is a form of delirium; an opiate to counter the pain of living; a prayer and incantation; a nostalgia for a world of lost innocence; a call to change the hearts & minds of people gone mad and much more.
In trying to hack the trees in a chaotic world, Ghosh bloodies his own fingers and in trying to touch the absolute, frequently puts his mind dangerously out of gear. He does not visit hell like Dante, rather he chooses to go there like a Greek chorus. He delineates a calligraphy of bone and ash. In his ode to rooted reality, unseen, Ghosh powerfully closes in on spiritual India with digital eyes.
These are poems, complex, abstract and esoteric, powered clearly with emotional confidence, reaffirming the simple fact that human sensibilities can only expand when we open our eyes, mind, heart and imagination to events unfolding around us, with honesty, passion and purpose.
By
Monojit Lahiri
Monojit Lahiri is a Kolkata-based communication practitioner specialising in Cinema, Advertising & Popular culture. He has journeyed this space for over 4 decades.He consciously invests his material with doses of entertainment, engagement and relevance, and has zero interest in changing the w orld!

Nu
Let us not talk any more,
Nor sing, nor hum,
Not trying through signs,
Nor Coptic words, written or told;
Let us just raise the magical
Peristeria blooming from our ears,
Which will stop all the noises
Reaching.
Let’s take a walk into the
Ten dimensions of our being—
To the terrain of sun-beaten biomes
Where the Joshua trees line.
The wind-scoured mesas and mountains.
Mesquites and saguaros
Along the dried-up playas.
Eyes of coyotes look at the blood moon,
And the star lore whispers.
Or a walk to the giant deciduous Semul
in the tropics, the dense foliage
Of the red Shalmali flowers
And vipers dripping venom from the
Kalpavriksh.
A fire of sacrifice in the middle of darkness,
Leopards waiting and thirsting in ambush,
While the silent hymns
Chant the surreal.
Let us return to our
Primitive thoughtlessness,
The cold and colourless
Metacosm of nothing.
An all-pervading water of creation
Which is yet to be.
No waves, no weasels.
No bubbles, no shapes.
A depth of an empty I-ness,
Phenomena and the noumena.
Aghora
Born of darkness, I am.
A slithery, worm-infested hollow way,
Strewn with carcasses
And decayed bodies of plants.
It has no direction, no shape,
Scattered—enshrouding me
Like a mother’s breasts, hands,
Cradling me with lullabies
And slowly penetrating
With a wriggling lunacy,
Scratching and scrawling on my mind,
Spreading roots,
Stemming blue veins with sharp teeth and claws,
Carrying stains of blood
From sins of my earlier birth.
The hair looms in the still of night
And crawls under my bed
In a green light of doom: heresy.
Mayan flowers bloom on the walls.
My whole body, a miasma of dark spells.
Windows screech and shudder,
And the sky rushes to a darker hole,
Where the garden of souls
Writhes in a wuthering cry.
I have not become a man, a woman,
Or any of the in-betweeners—
Only a river of blood
Flowing over heaps of skulls and bones
Across a valley,
A valley of fireflies.

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