G-Strings and Sympathy , livre ebook

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Based on her experiences as a stripper in a city she calls Laurelton-a southeastern city renowned for its strip clubs-anthropologist Katherine Frank provides a fascinating insider's account of the personal and cultural fantasies motivating male heterosexual strip club "regulars." Given that all of the clubs where she worked prohibited physical contact between the exotic dancers and their customers, in G-Strings and Sympathy Frank asks what-if not sex or even touching-the repeat customers were purchasing from the clubs and from the dancers. She finds that the clubs provide an intermediate space-not work, not home-where men can enjoyably experience their bodies and selves through conversation, fantasy, and ritualized voyeurism. At the same time, she shows how the dynamics of male pleasure and privilege in strip clubs are intertwined with ideas about what it means to be a man in contemporary America.Frank's ethnography draws on her work as an exotic dancer in five clubs, as well as on her interviews with over thirty regular customers-middle-class men in their late-twenties to mid-fifties. Reflecting on the customers' dual desires for intimacy and visibility, she explores their paradoxical longings for "authentic" interactions with the dancers, the ways these aspirations are expressed within the highly controlled and regulated strip clubs, and how they relate to beliefs and fantasies about social class and gender. She considers how regular visits to strip clubs are not necessarily antithetical to marriage or long-term heterosexual relationships, but are based on particular beliefs about marriage and monogamy that make these clubs desirable venues. Looking at the relative "classiness" of the clubs where she worked-ranging from the city's most prestigious clubs to some of its dive bars-she reveals how the clubs are differentiated by reputations, dress codes, cover charges, locations, and clientele, and describes how these distinctions become meaningful and erotic for the customers. Interspersed throughout the book are three fictional interludes that provide an intimate look at Frank's experiences as a stripper-from the outfits to the gestures, conversations, management, coworkers, and, of course, the customers.Focusing on the experiences of the male clients, rather than those of the female sex workers, G-Strings and Sympathy provides a nuanced, lively, and tantalizing account of the stigmatized world of strip clubs.
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Date de parution

05 décembre 2002

Nombre de lectures

0

EAN13

9780822383994

Langue

English

Poids de l'ouvrage

1 Mo

G-Strings and Sympathy
G-Strings and Sympathy
Strip Club Regulars and Male Desire
k atherine frank
Duke University PressDurham & London 2002 *
2002 Duke University Press All rights reserved Printed in the United States of America on acid-free paper$ Designed by Amy Ruth Buchanan Typeset in Dante by Keystone Typesetting, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. 2nd printing, 2003
In memory of
my grandfather,
John Murawski
acknowledgments, ix prefaceSkin Brings Men, xiii
Contents
Part One chapter1 Observing the Observers: Methods and Themes, 1 chapterand Its Strip Clubs: The Historical,2 Laurelton Physical, and Social Terrain, 39
Part Two interludeStrawberries(fiction), 79 chapterTrying to Relax: Masculinity, Touristic Practice,3 Just and the Idiosyncrasies of Power, 85 chapterPursuit of the Fantasy Penis: Bodies, Desires,4 The and Ambiguities, 121
Part Three interludeFakes(fiction), 159 chapter5 ‘‘I’m Not Like the Other Guys’’: Claims to Authentic Experience, 173 chapter6 Hustlers, Pros, and the Girl Next Door: Social Class, Race, and the Consumption of the Authentic Female Body, 203
Part Four interludeThe Management of Hunger(fiction), 231 chapter7 The Crowded Bedroom: Marriage, Monogamy, and Fantasy, 241 chapter8 Disciplining Erotic Practice, 273
appendix,281 notes,285 bibliography,311 index,327
Acknowledgments
Writing this book has been an exhilarating and often wonderful process from the very beginning, and it is a pleasure to thank those who helped to make this so and who nurtured my thinking along the way. This book would not have been possible, of course, without the interviewees and the other customers who shared their stories with me, and I am thankful for their openness and for their willingness to take the time to speak with me. I also learned a lot—professionally, intellectually, and personally—from the spirited and brave sex workers I’ve met and worked with over the years that I have been engaged in this project. I look forward to a time when sex workers of all kinds do not bear the brunt of others’ fears about sexuality and when only those individuals whowantto work in the industry do so. I have always felt extremely thankful that I ended up at the Depart-ment of Cultural Anthropology at Duke University for my graduate training. The education, guidance, and support that I received during my years in graduate school, and afterward, have been remarkable. Anne Allison has been an amazing teacher, advisor, advocate, and friend over the years and I am grateful to have had the opportunity to work with her. She has provided me with a model for careful and exciting scholarship, in addition to o√ering me guidance and encouragement at each step of my own journey. Each of the other members of my com-mittee also contributed to this project in unique and significant ways, and their mentorship and support from start to finish have been invalu-able to me. Jean Hamilton responded enthusiastically to my original ideas for such a project. Claudia Strauss was always ready to help me map out my ideas and clarify my arguments. Charles Piot was excellent at pointing out the underlying assumptions and blind spots in my writ-
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