The Juggler of Notre Dame and the Medievalizing of Modernity , livre ebook

THE JUGGLER OF NOTRE DAME
volume 3


The Juggler of Notre Dame and the Medievalizing of Modernity
Vol. 3: The American Middle Ages
Jan M. Ziolkowski






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© 2018 Jan M. Ziolkowski


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Attribution should include the following information: Jan M. Ziolkowski, The Juggler of Notre Dame and the Medievalizing of Modernity. Volume 3 : The American Middle Ages . Cambridge, UK: Open Book Publishers, 2018, http://dx.doi.org/10.11647/OBP.0146
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Version 1.1
ISBN Paperback: 978-1-78374-521-0
ISBN Hardback: 978-1-78374-522-7
ISBN Digital (PDF): 978-1-78374-523-4
ISBN Digital ebook (EPUB): 978-1-78374-524-1
ISBN Digital (XML): 978-1-78374-526-5
DOI: 10.11647/OBP.0146
Cover image: Postcard depicting the Brooklyn Bridge and Woolworth Building City (New York: H. W. Haberman, ca. 1928). Cover design: Anna Gatti.


Contents
Note to the Reader
3
1.
The Tumbling Worlds of Henry Adams
5
Adams Family
5
Great Scott! Sir Walter
9
Gothic Harvard
18
Photographic Memory
33
Reluctant Professor
37
Five of Hearts
40
Self-Made Medievalist
46
2.
Our Lady’s Tumbler in Mont Saint Michel and Chartres
55
The Nature of the Book
55
Madonna of Medieval France, La Dona of Washington
59
Universal Exposition of 1900
71
Old Paris
75
Dynamo and Virgin Suicide
88
Henry Adams as Jongleur
96
Unity and Multiplicity
102
Medievalist Dream of a Dying DC Dynasty?
103
3.
Britain and the Making of the American Middle Ages
107
The Goth Side of Washington
107
Goths and the Meanings of Gothic(k)
117
John Ruskin and William Morris
121
Richardsonian Romanesque
132
Saint John the Divine and Trinity Church
138
Cathedral Culture
143
Kenneth Clark
147
4.
The Boston Bohemians
149
Our Lady’s Tumbler in Boston Bohemia
149
Charles Eliot Norton
151
The Knight Errant and Copeland & Day
154
Fred Holland Day
160
Ralph Adams Cram, Great Goth Almighty
171
Americanized Middle Ages
184
5.
The Rise of Collegiate Gothic
189
American Gothic Colleges: Ogive Talking
189
F. Scott Fitzgerald and the Gothic Jazz Age
202
Late Collegiate Gothic at Duke and Rhodes
206
Cathedrals of Learning
211
Gothic Landscaping: Picturesque Perfect
216
Trees as Nature’s Cathedrals
220
Collegiate Gothic Havens
229
Ivy League and Ivory Tower
229
6.
Point Taken: Gothic Modernism and the Modern Middle Ages
239
The Origins of Gothic Skyscrapers: Top That
239
The Cathedral of Commerce
252
The Tribune Tower
258
Giving Gothic: John D. Rockefeller Jr.
264
“Not a Cathedral-Building Age” and Thorstein Veblen
271
Seeing Chicago in Gray and White
274
Hooting at Yale Gothic
278
World War I and Modernism
288
Notes
301
Notes to Chapter 1
301
Notes to Chapter 2
316
Notes to Chapter 3
336
Notes to Chapter 4
353
Notes to Chapter 5
368
Notes to Chapter 6
411
Bibliography
447
Abbreviations
447
Referenced Works
447
List of Illustrations
427
Index
473


To Piero Boitani
Day by day America drifts farther & farther away from Europe . The great currents of cosmic life drive us—immense, floating, unattached continent that we are—farther away from all that is rooted in or anchored to the past. It would be a wretched and unworthy patriotism, or mere love of paradox, or an unmanly timidity and self-distrust, that would hinder one, who has known the best, from saying distinctly, “This is not the best & will not in our time be the best.”
—Charles Eliot Norton


Note to the Reader
This volume is the third of a half dozen. Together, the six form The Juggler of Notre Dame and the Medievalizing of Modernity . The book series as a whole probes one medieval story, its reception in culture from the Franco-Prussian War until today, and the placement of that reception within medieval revivalism as a larger cultural phenomenon. The study has been designed to proceed largely in chronological order, but the progression across the centuries and decades is relieved by thematic chapters that deal with topics not restricted to any single time period.
This third installment, entitled “The American Middle Ages,” explores the reasons why the American not-so-public intellectual Henry Adams was drawn to the medieval story and more largely why many of his compatriots in the Gilded Age turned to the literature and architecture of the Middl