Joyce Studies Annual 2018 , livre ebook

281

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English

Ebooks

2019

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281

pages

English

Ebooks

2019

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Obtenez un accès à la bibliothèque pour le consulter en ligne En savoir plus

Publié par

Fordham University Press

Date de parution

01 janvier 2019

Nombre de lectures

EAN13

9780823284979

Langue

English

Poids de l'ouvrage

56 Mo

An indispensable resource for scholars and students of James Joyce, Joyce Studies Annual gathers essays by foremost scholars and emerging voices in the field.

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Publié par

Fordham University Press

Date de parution

01 janvier 2019

EAN13

9780823284979

Langue

English

Poids de l'ouvrage

56 Mo

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Joyce Studies AnnualAdvisory Board

Derek Attridge,University of York Margot Backus,University of Houston Morris Beja,Ohio State University John Bishop,University of California, Berkeley Sheldon Brivic,Temple University Richard Brown,University of Leeds Vincent Cheng,University of Utah Tim Conley,Brock University Neil Davison,Oregon State University Michel Delville,University of Liège Kevin Dettmar,Pomona College Kimberly Devlin,University of California, Riverside Finn Fordham,University of London Hans Walter Gabler,LudwigMaximilians University Michael Patrick Gillespie,Florida International University Arnold Goldman,Lewes University of the Third Age Michael Groden,University of Western Ontario David Hayman,University of Wisconsin Philip Kitcher,Columbia University Garry Leonard,University of Toronto at Scarborough Geert Lernout,University of Antwerp Morton Levitt,Temple University Vicki Mahaffey,University of York Dominic Manganiello,University of Ottawa John McCourt,University of Rome Margot Norris,University of California, Irvine JeanMichel Rabaté,University of Pennsylvania John Paul Riquelme,Boston University Michael Seidel,Columbia University Stuart Sherman,Fordham University Sam Slote,Trinity College, Dublin Thomas Staley,Ransom Humanities Center, University of Texas Fritz Senn,Zurich James Joyce Foundation Joseph Valente,University of Buffalo

Joyce Studies Annual

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Fordham University Press

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher.

ISSN: ISBN:

Printed in the United States of America        

Joyce Studies Annual

Founded by Thomas Staley, University of Texas, Acquired and published by Fordham University Press,

Joyce Studies Annualis coedited by Professors Moshe Gold and Philip Sicker of the Fordham University English Department and published annually by Fordham University Press.Joyce Studies Annualwas founded by Thomas Staley at the University of Texas and was published there under his editorship for fourteen years, through.

       : The editors invite signiﬁcant contributions on Joyce and closely related topics. In keeping with its founding tradition,JSApub lishes essays of greater length and scope than are normally found in schol arly journals. While not limited to longer essays, it welcomes ambitious studies in the areas of textual, historical, theoretical, and comparative analysis. We will consider essays up tomanuscript pages in length.

                                    send: Please manuscripts, inquiries, and editorial correspondence to Philip Sicker / Moshe Gold,Joyce Studies Annual, Department of English, Fordham University, Bronx, NY. Writers should send manuscripts as hard copy and forward electronic versions as Microsoft Word attachments to sicker @fordham.edu and mgold@fordham.edu.

    : Manuscripts must conform toThe Chicago Manual of Style. Unless otherwise indicated, essays should refer to the standard editions of Joyce’s works listed below. References to these editions and to Ellmann’s biography should be cited parenthetically within the body of the essay, using the abbreviations that follow. Quotations fromUlyssesshould be cited by episode and line number; quotations fromFinnegans Wake should be cited by page and line number.

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James Joyce,Collected Poems.New York: Viking,. James Joyce,The Critical Writings of James Joyce, ed. Ellsworth Mason and Richard Ellmann. New York: Viking,. James Joyce,Dubliners, ed. Margot Norris. New York: Norton, . James Joyce,Exiles.New York: Penguin,. James Joyce,Finnegans Wake. New York: Viking,. James Joyce,Giacomo Joyce, ed. Richard Ellmann. New York: Viking,. Richard Ellmann,James Joyce. New York: Oxford University Press,. The James Joyce Archive, ed. Michael Groden et al. New York and London: Garland Press,–. James Joyce,Letters of James Joyce, Vol. I, ed. Stuart Gilbert. New York: Viking,. James Joyce,Letters of James Joyce, Vols. II and III, ed. Richard Ellmann. New York: Viking,. James Joyce,A Portrait of the Artist as a Young Man: Text, Criticism and Notes.Chester G. Anderson. New York: Viking, . James Joyce,Stephen Hero, ed. John J. Slocum and Herbert Cahoon. New York: New Directions,. James Joyce,Selected Letters of James Joyce, ed. Richard Ellmann. New York: Viking,. James Joyce,Ulysses: A Critical and Synoptic Edition, ed. Hans Walter Gabler et al. New York and London: Garland,, . In paperback by Garland, Random House, and Penguin –.

Preface

Articles

C O N T E N T S

Seeing James Joyce’sUlyssesinto the Digital Age: Forty Years of Steering an Edition Through Turbulences of Scholarship and Reception HA NS WA LTE R GA BLER

A Lifelong Odyssey,Ulyssesand Me: The Gifford and Seidman Annotation ROBERT J. S EIDMAN

PhilatelicUlysses JULIEA NN V ERONICA ULI N

Leopold Bloom on Death JE FFEREY S IMONS

“The link between nations and generations”: Cissy Caffrey as Radicalized and Sexualized Other in James Joyce’sUlysses CA SEY L AWR ENCE

Building Metonymic Meaning with Joyce, Deleuze, and Guattari GABRIE L RE NGGLI

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viii

“One Man Like a City”: Masculinity and History inFinnegans Wakeand William Carlos Williams’sPaterson MI CHEL LE MCSWI GGAN KEL LY

“A phantom city, phaked of philim pholk”: Spectral Topographies and Re awakenings in James Joyce’sFinnegans Wakeand Sheridan Le Fanu’sThe House by the Churchyard KATIE MISHLER

Spies in Joyce’s “The Sisters”: Allegorical Histories, the Irish Rebellion, andThe Count of Monte Cristo BONNIE ROOS

Art

Drawing onFinnegans Wake:“the one the pictor of the other” PE TER O’ BR IEN

Note

The Horses of “Araby” RI CHARD J. GER BER

List of Contributors

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Color plates for Peter O’Brien’s essay follow page

P R E F A C E

TheJoyce Studies Annualbegins on a retrospective note with Hans Walter Gabler’s detailed account of the sevenyear production ofUlysses: A Critical and Synoptic Edition, published by Garland Press in, and of the turbulent decade of controversy and misunderstanding that fol lowed. In an essay originally delivered at the International Joyce Sympo sium in Antwerp, Gabler recounts his team’s innovative “harnessing of the computer” in the lates, using early digital technology to tran scribe, store, and collate Joyce’s heavily amended page proofs and the Shakespeare and Company edition in order to trace “all revisional change and accretion” between “the printer’s copy and the ﬁnal proofs of the ﬁrstedition book.” Gabler stresses that, from the start, the editorial proj ect had a twofold aim: ﬁrst, to produce a more reliable “reading text” of Ulysses, but, more important, to provide a synopsis of the “text’s develop ment in and across its documents,” from fair copy to its initial publica tion. The edition’s “true core” was the presentation of Joyce’s “progressive writing” through the “genetically stratiﬁed” unfolding of successive pre publication documents, a diachronic evolution illustrated in the lefthand pages of the Garland edition. Gabler laments that his team’s genetic approach to the text as a dynamic process rather than product—a meth odology developed in Germany and France—was lost on those governed by the AngloAmerican axiom of producing a single, monolithic edition that would fulﬁll the “author’s intention.” This view of texts as “effec tively synchronous and so essentially closed,” Gabler suggests, caused con sternation ﬁrst among the Joyce Estate’s triumvirate of advisors and later within the Joyce community itself. After the “initial euphoria” that greeted theCritical and Synoptic Edition, some scholars were troubled by its departures from the familiar Random House version (including the inclusion of “love” as the “word known to all men” in a passage missing

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