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2012

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Gothic Music - The Sounds of the Uncanny traces sonic Gothic through history and genres from the eighteenth-century ghost story through the spooky soundtracks of cinema, television and video games to the dark music of the Goth subculture.
Introduction: 'Baleful Sounds and Wild Voices Ignored' 1. The Sound of Gothic Literature 2. Gothic Film Music: The Audiovisual Uncanny 3. Gothic Television Music: The Unhomely Home 4. Gothic Game Music: Hyperreality Haunted 5. Goth Music: Uncanny Embodied 6. The Unthinkable Sounds of the Uncanny
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Date de parution

15 juillet 2012

Nombre de lectures

0

EAN13

9780708325186

Langue

English

Gothic Literary Studies
Gothic Music
The Sounds of the Uncanny
Isabella van Elferen
University of Wales Press
GOTHIC MUSIC
SERIES PREFACE
Gothic Literary Studies is dedicated to publishing groundbreaking scholarship on Gothic in literature and film.The Gothic,which has been subjected to a variety of critical and theoretical approaches, is a form which plays an important role in our understanding of literary, intellectual and cultural histories. The series seeks to promote challenging and innovative approaches to Gothic which question any aspect of the Gothic tradition or perceived critical orthodoxy. Volumes in the series explore how issues such as gender, religion, nation and sexuality have shaped our view of the Gothic tradition. Both academically rigorous and informed by the latest developments in critical theory, the series provides an important focus for scholastic developments in Gothic studies, literary studies, cultural studies and critical theory.The series will be of interest to students of all levels and to scholars and teachers of the Gothic and literary and cultural histories.
SERIES EDITORS
Andrew Smith, University of Glamorgan Benjamin F. Fisher, University of Mississippi
EDITORIAL BOARD
Kent Ljungquist,Worcester Polytechnic Institute Massachusetts Richard Fusco, St Joseph’s University, Philadelphia David Punter, University of Bristol Chris Baldick, University of London Angela Wright, University of Sheffield Jerrold E. Hogle, University of Arizona
Gothic Music The Sounds of the Uncanny
Isabella van Elferen
UNIVERSITY OF WALES PRESS C A R D I F F 2 0 1 2
© Isabella van Elferen, 2012
All rights reserved. No part of this book may be reproduced in any material form (including photocopying or storing it in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright owner. Applications for the copyright owner’s written permission to reproduce any part of this publication should be addressed to the University of Wales Press, 10 Columbus Walk, Brigantine Place, Cardiff CF10 4UP.
www.uwp.co.uk
British Library CIP Data A catalogue record for this book is available from the British Library.
ISBN ISBN e-ISBN
978-0-7083-2512-4 (hardback) 978-0-7083-2513-1 (paperback) 978-0-7083-2518-6
The right of Isabella van Elferen to be identified as author of this work has been asserted in accordance with sections 77 and 79 of the Copyright, Designs and Patents Act 1988.
Printed by CPI Antony Rowe, Chippenham,Wiltshire.
For my mother Els and my sister Marjolein, in boundless admiration of their courage and strength
Il y a plenty de hors-texte
Acknowledgements
CONTENTS
Introduction:‘Baleful Sounds and Wild Voices Ignored’
1
2
3
4
5
6
The Sound of Gothic Literature
Gothic Film Music: The Audiovisual Uncanny
Gothic Television Music: The Unhomely Home
Gothic Game Music: Hyperreality Haunted
Goth Music: Uncanny Embodied
The Unthinkable Sounds of the Uncanny
Notes
Bibliography
Index
ix
1
11
34
73
100
128
173
191
207
215
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