Ernest Hemingway and the Geography of Memory , livre ebook

244

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English

Ebooks

2011

Écrit par
Mark Cirino and Mark P. Ott

Publié par
The Kent State University Press

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244

pages

English

Ebooks

2011

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Publié par

The Kent State University Press

Date de parution

08 septembre 2011

EAN13

9781612775050

Langue

English

Poids de l'ouvrage

1 Mo

Ernest Hemingway's work reverberates with a blend of memory, geography, and lessons of life revealed through the trauma of experience. Michigan, Italy, Spain, Paris, Africa, and the Gulf Stream are some of the most distinctive settings in Hemingway's short fiction, novels, articles, and correspondence. In his fiction, Hemingway revisited these sites, reimagining and transforming them. Travel was the engine of his creative life, as the recurrent contrast between spaces provided him with evidence of his emerging identity as a writer. The contributors to Ernest Hemingway and the Geography of Memory employ an intriguing range of approaches to Hemingway's work, using the concept of memory as an interpretive tool to enhance understanding of Hemingway's creative process. The essays are divided into four sections- Memory and Composition, Memory and Allusion, Memory and Place, and Memory and Truth-and examine The Garden of Eden, In Our Time, The Old Man and the Sea, Green Hills of Africa, Under Kilimanjaro, The Sun Also Rises, A Moveable Feast, A Farewell to Arms, and Death in the Afternoon, as well as several of Hemingway's short stories. Ernest Hemingway and the Geography of Memory is a fascinating volume that will appeal to the Hemingway scholar as well as the general reader.

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Publié par

The Kent State University Press

Date de parution

08 septembre 2011

EAN13

9781612775050

Langue

English

Poids de l'ouvrage

1 Mo

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Pûŝû Réééé: Eééçé, Méô, à ïéô  Géé îŝ ô Aîcà àécé . MàîAçé, Méô, à Açééŝ: Réà éà’ŝ Ué Kîîààôàŝ à Açà à àé Eîk Nàkààî“A Môéàé Féàŝ”ô “à ŝéàé é àçûà” Eéŝ éà, Kà Bôé, à Môéŝ Méô Véà Kàé

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Wé ôû é ô à ôû çôûôŝ ô ŝà é ô  ûŝ à àŝô ô é àéçé  ŝ ôéç àŝ  éôé ŝçé 2005. Wé ôû àŝô é ô à à é éôé à Ké Sàé Uéŝ Péŝŝ, éŝéçà Jôàà Cà, Jôçé àŝô, à Mà Yôû, ôŝé ôûûéŝŝ, ŝô, à àçûé àé ûé ŝ ôô ôû àôûŝ ŝàéŝ. Mà Cô ôû é ô à Kŝé à ûçà ô é ôé à û-éŝà, Sçô Vô à Càô Dé ô é éôà àŝŝŝàçé, é Uéŝ ô Eàŝé ô ŝ Iàçà à ôà ŝûô, à Mà O ô ŝ  àô. Mà O ôû é ô à Sûŝà Bééé, J Méé, Gà Sçà, à é Eéŝ éà Sôçé ô é ŝûô ô é àé “éà à é Géôà ô Méô” à é 2005 éé ô é Aéçà éàûé Aŝŝôçàô  Bôŝô. ï àŝ ôû ô é àé à ŝ ôô ééé. àà Kôéŝ, Séà Mé, à Rçà Ràé ôFéé ŝûŝéqûé éçôûàé-é à àçé; é éŝ àŝ éé éŝŝéà. ï ôû àŝô é ô à Mààà Cûŝ, Jô àô, à DééIé Açàé ô é ŝûô. Yé ŝ ôô ôû éé àé éé çôéé ôû é éé, éûŝàŝ, ŝ, à ôô ûô ô Mà Cô, ô àéé ô ŝéé ŝ ôéç  é  2007 à ô éà à é àŝ é ô. Dàé à Pàçà O, Jôé O, Kà Wé, Gé O—à àé ôFéé àûàé éçôûàé-é, û ï ûŝ à, ôçé àà,  é, ô, à  àûéŝ Càé, Aé, à Oà ô é àéçé, ŝûô, à ŝéŝ àŝ ŝ ôô àŝ çôéé. é  é Féé ô à ŝ ŝ ôé.

ERRATA

Allyson Nadia Field’s “Expatriate Lifestyle as Tourist Destination: he Sun Also Risesand Experiential Travelogues of the Twenties” was originally published inhe Hemingway Review�.� (Spring �): �–. Reprinted by permission. All rights reserved.

Laura Gruber Godfrey’s “Hemingway and Cultural Geography: e Landscape of Logging in ‘e End of Something’” was originally pub-lished inhe Hemingway Review�. (Fall �): –�. Reprinted by permission. All rights reserved.

Sergio Perosa’s essay was originally published in Italian as “La memo-ria e glisquali”inHemingway e Venezia,ed. Sergio Perosa (Florence: L.S. Olschki, ) and appears by permission of the publisher.

Marc Seals’s “Reclaimed Experience: Trauma eory and Heming-way’s Lost Paris Manuscripts” was originally published as “Trauma eory and Hemingway’s Lost Paris Manuscripts” inhe Hemingway Review�.� (Spring �): –�. Reprinted by permission. All rights reserved.

ïôucîô

Mark P. Ott and Mark Cirino

héé àé ŝô à ŝôŝ ô ûé. ï é ŝ éé àé ôé. Bû à’ŝ ôé ô. Méô ŝ ûé. —Eéŝ éîgày,A Môéàé éàŝ

héé éé ŝôé ôé àçéŝ ï àé ô ŝéé ŝçé é ôû é ô ôû é; àçéŝ ï àŝ ŝûé ï éééé çôéç ûé ô àŝé ô ŝéŝŝ ô é ŝôôŝ ô ŝô à é ûé Ié , û é ôû ŝéé é ŝôôé ô àé à ï çôû àé  çôéçôŝ ô éô é. héé éé çéà àçéŝ à ï é ô ŝô ô B ô é çé; ô ŝô é àŝ ûŝéû éçéŝ ô é ôŝŝé  à. Bû ï à ŝô  é ôŝôŝ ô é ôà àôé é àé ô Gûàààà ô é à û ô é àŝŝ ô é  ôà ô Aà à é à éé ŝô ôôûŝ éôŝéôûŝ ô ô à ï  ô àé  ô ô éé é. Wé ï ŝà é ï çôû ééé é ŝé àôû é ôà éô ô é àŝ ŝàé à à ôôà. —Eéŝ éîgày,hé Dàéôûŝ Sûé

Eéŝ éà à à ûéàŝ éàôŝ  é éŝé; é ŝééé ô ééé  àé àé ô é éŝ Içô. Yé ŝ  àŝ ààŝ àûé ô é éŝé, ô é ôé àŝ é àŝ éŝé à àŝôé  , à à éŝéŝ ô à é àŝ éééç ôû ôé ô ŝ éô, é éé, à àé éçôé é ûé ô ŝ Içô. Aŝ éé ŝûé ô éà’ŝ ôà ôŝ, Mçà, ïà, Sà, Pàŝ, Eàŝ Açà, à é Gû Séà àé ŝôé ô é ôŝ ŝçé àçéŝ  é éà ôéûé;  ŝô Içô, ôéŝ, ôûàŝ, à çôéŝôéçé, éà éŝé éŝé ŝéŝ, éà à àŝô é ô éŝ. “Méô,” ô é ŝûŝé ô ô ôé, ŝ à ôç çôŝé àé  é-à’ŝ ô. Néà à ô éà’ŝ Içô éŝŝ àŝ à ééŝô,

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