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In The End of Satisfaction, Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term "satisfaction" during the sixteenth and early seventeenth centuries. Focusing on the term's significance as an organizing principle of Christian repentance, she examines the ways in which Shakespeare and his contemporaries dramatized the consequences of its re- or de-valuation in the process of Reformation doctrinal change. The Protestant theology of repentance, Hirschfeld suggests, underwrote a variety of theatrical plots "to set things right" in a world shorn of the prospect of "making enough" (satisfacere).Hirschfeld's semantic history traces today's use of "satisfaction"-as an unexamined measure of inward gratification rather than a finely nuanced standard of relational exchange-to the pressures on legal, economic, and marital discourses wrought by the Protestant rejection of the Catholic sacrament of penance (contrition, confession, satisfaction) and represented imaginatively on the stage. In so doing, it offers fresh readings of the penitential economies of canonical plays including Dr. Faustus, The Revenger's Tragedy, The Merchant of Venice, and Othello; considers the doctrinal and generic importance of lesser-known plays including Enough Is as Good as a Feast and Love's Pilgrimage; and opens new avenues into the study of literature and repentance in early modern England.
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Date de parution

17 avril 2014

EAN13

9780801470639

Langue

English

Poids de l'ouvrage

1 Mo

The End of Satisfaction
The End of Satisfaction
Drama and Repentance în the Age of Shakespeare
Heather Hirschfeld
Cornell University Press ïthaca and ondon
Côî © 2014  Côé Uîéŝî
A îŝ éŝéé. Eçé ô îé qûôàîôŝ î à éîé, îŝ ôô, ô àŝ ééô, ûŝ ô é éôûçé î à ô îôû éîŝŝîô î îî ô é ûîŝé. Fô îôàîô, àéŝŝ Côé Uîéŝî Péŝŝ, Sàé Hôûŝé, 512 Eàŝ Sàé Séé, ïàçà, Né Yô 14850.
Fîŝ ûîŝé 2014  Côé Uîéŝî Péŝŝ
Pîé î é Uîé Sàéŝ ô Aéîçà
îà ô Côéŝŝ Cààôî-î-Pûîçàîô Dàà
Hîŝçé, Héàé Aé, 1968–, àûô.  Té é ô ŝàîŝàçîô : àà à ééàçé î é àé ô Sàéŝéàé / Héàé Hîŝçé.  àéŝ ç  ïçûéŝ îîôàîçà éééçéŝ à îé.  ïSBN 978-0-8014-5274-1 (çô : à. àé) 1. Sàéŝéàé, Wîîà, 1564–1616—Cîîçîŝ à îééàîô. 2. Eîŝ àà—Eà ôé à Eîzàéà, 1500–1600—Hîŝô à çîîçîŝ. 3. Rééàçé î îéàûé. 4. Déŝîé î îéàûé. ï. Tîé.
PR658.R44H57 2014 822'.309353—ç23
2013038570
Côé Uîéŝî Péŝŝ ŝîéŝ ô ûŝé éîôéà éŝôŝîé ŝûîéŝ à àéîàŝ ô é ûéŝ éé ôŝŝîé î é ûîŝî ô îŝ ôôŝ. Sûç àéîàŝ îçûé ééàé-àŝé, ô-VOC îŝ à àçî-éé àéŝ à àé éççé, ôà çôîé-éé, ô à çôôŝé ô ôôô Iéŝ. Fô ûé îôàîô, îŝî ôû éŝîé à .çôééŝŝ.çôé.éû.
Cô îî10987654321
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Dayenu!
Açôééŝ
Contents
ïôûçîô: Wéé’ŝ Sàîŝàçîô
1. “Aé, ô à Pôîŝ ŝàîŝàçîôŝ”: Réôî Rééàçé î Eà Môé Eà
2. Té Sàîŝàçîôŝ ô Hé:Doctor Faustusà é Déŝçéŝûŝ Tàîîô
3. Séî Tîŝ Rî: Té Sàîŝàçîôŝ ô Rééé
4. Aŝ Gôô àŝ à Féàŝ: Pàî (î) Eôû ô é Eîzàéà Sàé
î
16
39
1
65
94
v î î î Contents
5. “Wôôî, éî, à ééî”: Té Sàîŝàçîôŝ ô Màîàé îOtheoàLove’s Pîgrîmage
Pôŝŝçî: Wéé’ŝ é Sàé à é E ô Sàîŝàçîô
Nôéŝ Bîîôà ïé
119
147
153 205 233
Acknowledgments
A ôô ô ŝàîŝàçîô ôéŝ îŝé û ô à ûŝ à àûŝî ôŝ, ôé ŝàî î é Rôî Sôéŝ. ï  ô àôî é éé. ïŝéà, ï éjô é ôôûî ô û ô à ôçàûà ô ééàçé, çôéŝàîô, à àôéé ô é éàé, û îŝîç, àûàé ô àîûé à àŝ. Tîŝ ôjéç ôû ô àé éé ôŝŝîé îôû é Iàçîà à à-îîŝàîé ŝûô ô ŝçôà îŝîûîôŝ. ï à àéû ô àé é à ŝô-é éôŝî à é Fôé Sàéŝéàé îà à ô àé éçéîé ô é Nàîôà Eôé ô é Hûàîîéŝ à ŝûé ŝîé àŝ é àŝ à éà-ô éôŝî. A éé éé éŝŝéîà ô é çôéîô ô îŝ ôô. ï àé àŝô éé é ééIçîà ô àîôûŝ ŝôûçéŝ ô ŝûô à é Uîéŝî ô Tééŝŝéé: é Déàé ô Eîŝ, é OIçé ô Ré-ŝéàç, é Côéé ô Aŝ à Sçîéçéŝ, é Hûàîîéŝ Céé, à é Màçô ïŝîûé ô Méîéà à Réàîŝŝàçé Sûîéŝ. Fîéŝ à çôéàûéŝ àé îŝéé ô é ôîé àôû ŝàîŝàçîô ôé à ï à à î ô ééç. A UT, îŝ îçûéŝ Dôà Bôééîé, Kà Cîéŝ, Dà Côéà, Mààé àzàûŝ Déà, Mà Dzô, Ràçé Gôé,
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