Difference Aesthetics Makes , livre ebook

193

pages

English

Ebooks

2019

Écrit par
Chuh Kandice Chuh

Publié par
Duke University Press

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193

pages

English

Ebooks

2019

Lire un extrait

Obtenez un accès à la bibliothèque pour le consulter en ligne En savoir plus

Publié par

Duke University Press

Date de parution

28 mars 2019

EAN13

9781478002383

Langue

English

Poids de l'ouvrage

1 Mo

In The Difference Aesthetics Makes cultural critic Kandice Chuh asks what the humanities might be and do if organized around what she calls "illiberal humanism" instead of around the Western European tradition of liberal humanism that undergirds the humanities in their received form. Recognizing that the liberal humanities contribute to the reproduction of the subjugation that accompanies liberalism's definition of the human, Chuh argues that instead of defending the humanities, as has been widely called for in recent years, we should radically remake them. Chuh proposes that the work of artists and writers like Lan Samantha Chang, Carrie Mae Weems, Langston Hughes, Leslie Marmon Silko, Allan deSouza, Monique Truong, and others brings to bear ways of being and knowing that delegitimize liberal humanism in favor of more robust, capacious, and worldly senses of the human and the humanities. Chuh presents the aesthetics of illiberal humanism as vital to the creation of sensibilities and worlds capable of making life and lives flourish.

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Publié par

Duke University Press

Date de parution

28 mars 2019

EAN13

9781478002383

Langue

English

Poids de l'ouvrage

1 Mo

Literary theory

The DiFerenceAesthetics Makes

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The DiFerence Aesthetics Makes

On the Humanities “After Man”

Kandice Chuh

duke university press Durham and London 2019

Library of Congress Cataloging-in-Publication Data Names: Chuh, Kandice, [date]author. Title: The difference aesthetics makes : on the humanities “after man” / Kandice Chuh. Description: Durham : Duke University Press, 2019. | Includes bibliographical references and index. Identiﬁers:lccn2018033901 (print) lccn2018053991 (ebook) isbn9781478002383 (ebook) isbn9781478000709 (hardcover : alk. paper) isbn9781478000921 (pbk. : alk. paper) Subjects:lcsh: Aesthetics—Political aspects. | American literature—Political aspects. | Art, Modern—21st century— Political aspects—United States. | Politics and culture. | Literature—Study and teaching (Higher) | Humanism— Study and teaching (Higher) | Eurocentrism. Classiﬁcation:lccbh301.p64 (ebook) | lccbh301.p64c482019 (print) |ddc111/.85—dc23 lcrecord available at https://lccn.loc.gov/2018033901

Cover art: Allan deSouza, “He gazed into the liquid darkness in which desires drowned, from where the body’s delicious pains emerged.” Photograph. Courtesy of the artist and Talwar Gallery, New York.

For Josh, Cole, and Georgia, With love.

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The struggle of our new millennium will be between the ongoing im-perative of securing the well-being of our present ethnoclass (i.e., West-ern bourgeois) conception of the human, Man, which overrepresents itself as if it were the human itself, and that of securing the well-being, and therefore the full cognitive and behavioral autonomy of the human species itself/ourselves. —w y n t ers y lv i a , “Unsettling the Coloniality of Being/Power/ Truth/Freedom”

Our contemporary moment is so replete with assumptions that free-dom is made universal through liberal political enfranchisement and the globalization of capitalism that it has become difﬁcult to write or imagine alternative knowledges, to act on behalf of alternative projects or communities. Within this context, it is necessary to act within but to think beyond our received humanist tradition and, all the while, to imagine a much more complicated set of stories about the emergence of the now, in which what is foreclosed as unknowable is forever satu-rating the “what-can-be-known.” We are left with the project of visual-izing, mourning, and thinking “other humanities” within the received genealogy of “the human.” —l is a low e, “The Intimacies of Four Continents”

I can’t help but dream about a kind of criticism that would try not to judge but to bring an oeuvre, a book, a sentence, an idea to life; it would light ﬁres, watch the grass grow, listen to the wind, and catch the sea foam in the breeze and scatter it. It would multiply not judgments but signs of existence; it would summon them, drag them from their sleep. Perhaps it would invent them sometimes—all the better. All the better. Criticism that hands down sentences sends me to sleep; I’d like a criti-cism of scintillating leaps of the imagination. It would not be sovereign or dressed in red. It would bear the lightning of possible storms. —m ichel fouc au lt, “The Masked Philosopher”

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Pedagogies of Liberal Humanism

preface

Contents

IntroductionDifference Aesthetics Makes The

122

Conclusion

131

175

index

Postscript

bibliography

notes

On the Humanities “After Man”

126

Chapter 3

Chapter 4

Chapter 2

159

Chapter 1

Mis/Taken Universals

Making Sense Otherwise

Knowledge under Cover

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