Dissonance , livre ebook

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In the four centuries leading up to the death of Euripides, Greek singers, poets, and theorists delved deeply into auditory experience. They charted its capacity to develop topologies distinct from those of the other senses; contemplated its use as a communicator of information; calculated its power to express and cause extreme emotion. They made sound too, artfully and self-consciously creating songs and poems that reveled in sonorousness. Dissonance reveals the commonalities between ancient Greek auditory art and the concerns of contemporary sound studies, avant-garde music, and aesthetics, making the argument that "classical" Greek song and drama were, in fact, an early European avant-garde, a proto-exploration of the aesthetics of noise. The book thus develops an alternative to that romantic ideal which sees antiquity as a frozen and silent world.
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Date de parution

01 juillet 2016

EAN13

9780823269679

Langue

English

Poids de l'ouvrage

1 Mo

DISSONANCE
DISSONANCE
AUDITORY AESTHETICS IN ANCIENT GREECE
SEAN ALEXANDER GURD
Fordham University PressNew York
2016
Copyright © 2016 Fordham University Press
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher.
Fordham University Press has no responsibility for the persistence or accuracy of URLs for external or third-party Internet websites referred to in this publication and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
Fordham University Press also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Visit us online at www.fordhampress.com.
Library of Congress Cataloging-in-Publication Data available online at catalog.loc.gov.
Printed in the United States of America
18 17 16
First edition
5 4 3 2 1
CONTENTS
1.
2.
3.
Note on Sources and Citations
Prologue
Capo
Figures
Affect
Music
Coda
Acknowledgments
Notes
Bibliography
Index
vii
1
5
27
58
97
133
141
143
213
237
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NOTE ON SOURCES AND CITATIONS
References to ancient sources are abbreviated according to theOxford Classical Dictionary(3rd edition). Sources of ancient texts are noted the first time they are cited. Translations are my own. I use the following abbreviations:
Campbell Campbell, D. A., ed. and trans.Greek Lyric. 5 vols. Cambridge, MA: Harvard University Press, 1982–1993. DK Kranz, W., and H. Diels, eds.Die Fragmente der Vorsokratiker. Zürich: Weidmann, 1966. FGrH Jacoby, F., ed.Die Fragmente der griechischen Historiker. Berlin: Weidmann, 1923–1959. IEG West, M., ed.Iambi et elegi Graeci ante Alexandrum cantati. 2nd edition. Oxford: Oxford University Press, 1989–1992. LIMC Ackermann, H. C., J. -R. Gisler, and L. Kahil, eds.Lexicon iconographicum mythologiae classicae. Zürich: Artemis, 1981. LP Lobel, E., and D. L. Page, eds.Poetarum Lesbiorum fragmenta. Oxford: Clarendon Press, 1963. LSJ Liddell, H. G., R. Scott, and H. S. Jones.A Greek-English Lexicon. Oxford: Clarendon Press, 1996. PCG Kassel, R., and C. Austin, eds.Poetae comici Graeci. Berlin: Walter de Gruyter, 1983–. PMG D. L. Page, ed.Poetae Melici Graeci. Oxford: Clarendon Press, 1962. TrGF R. Kannicht, S. Radt, and B. Snell, eds.Tragicorum Graecorum fragmenta. Göttingen: Vandenhoeck & Ruprecht, 1986–2004.
vii
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DISSONANCE
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