Before Music , livre ebook

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From award-winning author Annette Bay Pimentel comes an oversize nonfiction picture book exploring how music and musical instruments are made-across time and around the worldMusic doesn't come out of nothing.It always starts somewhere . . . with something . . . with someone. Discover how music is made in this survey of musical instruments from around the world. Organized by material-from wood to gourds to found objects and more-Before Music marries a lyrical core text with tons of informational material for curious readers. In the narrative text, readers will encounter makers as they source their materials and craft instruments by hand, drawing the line from the natural world to the finished product and its sound. The sidebars offer much more to discover, including extensive instrument lists, short bios of musical innovators, and more.
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Publié par

Date de parution

21 juin 2022

EAN13

9781647006969

Langue

English

Poids de l'ouvrage

6 Mo

Music doesn t come out of nothing.

It always starts somewhere . . .
with something . . .

with someone.

by

ANNETTE BAY

PIMENTEL

illustrated by

MADISON

SAFER

ABRAMS BOOKS FOR YOUNG READERS

NEW YORK

WHERE INSTRUMENTS

COME FROM

BEFORE MUSIC , water drip . . . drip . . . drips.

and strikes their edges

tink tink tink

listening as he shapes

the stone.

He is making . . .

It washes away soil and eventually fractures the rock underneath.

Someone selects a few of the stones . . .
. . . A ROCK GONG.
In Vietnam, archaeologists have dug up carefully shaped and tuned stones. The stones are ancient-up

to 10,000 years old. Musicians laid them in sequence on a wooden frame. When struck, the stones made

lovely, ringing tones.

HOW DO ROCKS MAKE MUSIC?

Striking a rock starts vibrations in the tiny molecules that form the

rock. In turn, those vibrations start molecules in the air vibrating.

We hear those vibrations as sound. But what sound do you get?

A clear bell-like tone? Or just a thud ? The answer depends on what

type of rock you ve chosen.

Sandstone, for example, is riddled with tiny

holes. If you strike sandstone, the vibration

doesn t move easily through the rock. It falls

dead when it reaches the holes, and you

hear a flat thud .

Slate, on the other hand, is made of clay that

has been compressed and then heated by red-

hot magma inside the earth. It is a dense stone

with molecules packed close together. If you strike

slate, the vibrations travel freely from molecule to

molecule, and you hear a clear ringing sound.

You can rock out to the music of rocks . . . if you

choose your rock carefully.
MUSICAL INNOVATORS

In the Lake District of England, it s easy to find hornfels slate, a rock

that rings when it is struck. Around 1827, a local man named Joseph

Richardson began gathering pieces of slate. But he was more than just a

rock collector. He wanted to make music. With rocks!

He spent thirteen years choosing, chipping, and tuning stones. The longest

stone he shaped was about three feet long, and the shortest was about six

inches. He built a strong wooden frame to hold the rocks and nestled

each rock on twisted straw. In 1840, he debuted his invention, a giant

xylophone-like instrument that he called a rock harmonicon.

Richardson and his three sons played music on the rocks by striking

them with large mallets. Their repertoire included dances like waltzes

and polkas, and classical pieces by Beethoven and Mozart. Richardson

and his sons toured with their instrument, giving concerts throughout

England. Even Queen Victoria invited them to perform for her.

A few others built similar rock instruments around the same time. The

Till family toured in America with their musical rocks, and Franz Weber

built his Lithokymbalon from slabs of alabaster. But rock harmonicons

are heavy and difficult to transport, so they never made the leap into

symphony orchestras. Today they reside in museums.

You may not hear rocks being played on the radio, but you too can

experiment with making music from rocks in your own backyard.

ROCK INSTRUMENTS THAT ARE STRUCK

Boulders and slabs in Africa-sometimes

found near ancient cave paintings. Music

from these singing rocks might have

accompanied people while they were

creating or viewing art.

Ili ili from Hawai i-pieces of naturally

shaped p hoehoe lava that fit neatly

into hands. The musician strikes them

together to accompany hula dancing.

Qing from China-stone, often jade,

carved into an L shape and then

suspended and struck with a wooden

or padded mallet. Some ancient qing

were made in tuned sets that allowed a

musician to play a scale.

Pyeonjong from Korea-L-shaped stone

chimes made from a white-and-green

chime stone that is quarried only in

central Korea. The chimes come in sets

of sixteen and are hung in two rows of

eight. The musician strikes them with an

animal horn.

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