Paulo Emílio Salles Gomes , livre ebook

IBERIAN AND LATIN AMERICAN STUDIES
Paulo Emílio Salles Gomes
Paulo Emilio Salles Gomes.indd 1 18/09/2018 10:10Series Editors
Professor David George (Swansea University)
Professor Paul Garner (University of Leeds)
Editorial Board
David Frier (University of Leeds)
Lisa Shaw (University of Liverpool)
Gareth Walters (Swansea University)
Rob Stone (University of Birmingham)
David Gies (University of Virginia)
Catherine Davies (University of London)
Richard Cleminson (University of Leeds)
Duncan Wheeler (University of Leeds)
Jo Labanyi (New York University)
Roger Bartra (Universidad Nacional Autónoma de México)
Other titles in the series
The Tlatelolco Massacre, Mexico 1968, and the Emotional
Triangle of Anger, Grief and Shame: Discourses of Truth(s)
Victoria Carpenter
The Darkening Nation: Race, Neoliberalism
and Crisis in Argentina
Ignacio Aguiló
Catalan Culture: Experimentation, creative imagination and the
relationship with Spain
Lloyd Hughes Davies, J. B. Hall and D. Gareth Walters
Catalan Cartoons: A Cultural and Political History
Rhiannon McGlade
Revolutionaries, Rebels and Robbers: The Golden Age of Banditry
in Mexico, Latin America and the Chicano American southwest,
1850–1950
Pascale Baker
Teresa Margolles and the Aesthetics of Death
Julia Banwell
Galicia, A Sentimental Nation
Helena Miguelez-Carballeira
The Brazilian Road Movie
Sara Brandellero
Paulo Emilio Salles Gomes.indd 2 18/09/2018 10:10IBERIAN AND LATIN AMERICAN STUDIES
Paulo Emílio
Salles Gomes
On Brazil and Global Cinema
Edited by
MAITE CONDE AND STEPHANIE DENNISON
UNIVERSITY OF WALES PRESS
2018
Paulo Emilio Salles Gomes.indd 3 18/09/2018 10:10© The Contributors, 2018
All rights reserved. No part of this book may be reproduced in any material
form (including photocopying or storing it in any medium by electronic
means and whether or not transiently or incidentally to some other use of
this publication) without the written permission of the copyright owner.
Applications for the copyright owner’s written permission to reproduce
any part of this publication should be addressed to the University of Wales
Press, University Registry, King Edward VII Avenue, Cardiff CF10 3NS.
www.uwp.co.uk
British Library CIP
A catalogue record for this book is available from the British Library.
ISBN 978-1-78683-323-5
e-ISBN 978-1-78683-324-2
The right of The Contributors to be identifed as authors of this work has
been asserted in accordance with sections 77 and 79 of the Copyright,
Designs and Patents Act 1988.
Typeset by Mark Heslington Ltd, Scarborough, North Yorkshire
Printed by CPI Antony Rowe, Melksham
Paulo Emilio Salles Gomes.indd 4 18/09/2018 10:10Contents
Series Editors’ Foreword ix
Acknowledgements xi
List of Sourcesxiii
List of Illustrationsxv
Prefacexvii
Forewordxix
Introductory Essay: Paulo Emílio Salles Gomes, Cinema
and Cinephilia xxvii
Part I: Social and Cinematic Engagements 1
Introduction 3
Declaration10
Commentary13
A Time of Pessimism 17
Platform for a New Generation 21
Start of a Conversation 33
A Century of Film 35
Unnecessary Intellect 41
Part II: Foreign Dialogues 45
Introduction 47
On Hollywood 56
The Long Voyage Home56
Paulo Emilio Salles Gomes.indd 5 18/09/2018 10:10vi Paulo Emílio Salles Gomes
Against Fantasia 66
Citizen Kane72
Orson Welles: The Brazilian Adventure 81
Hitchcock’s Mutations 85
Independence and Money 89
Is Chaplin Cinema? 93
Mythology and Truth 100
On Soviet and European Cinema 104
Jean Vigo: Zéro de Conduite 104
Eisenstein’s Thinking108
The Other Side of Jean Renoir 112
The Ideology of Metropolis116
A Religious Adventure121
The Critic André Bazin 126
Battleship Potemkin and October 131
Cinema and Prostitution137
Revolution, Cinema and Love141
Part III: National Cinema 147
Introduction 149
On Brazilian Cinema 158
Mauro and Two Other Great Directors 158
The Good and the Bad in Khouri 165
Compensated Nudity 167
A Healthy Orgy170
On the Banks of Ipiranga 173
The Secret of the Man Critics Never Praised: Mazzaropi 176
The Three Gunslingers 180
Glauber182
For a National Cinema184
Paulo Emílio: A Brazilian Film Critic 184
A Colonial Situation?186
Cinema: A Trajectory within Underdevelopment 192
The Social Expression of Documentary Films in Silent
Brazilian Cinema 208
Exhibitors 214
The Cinematheque and Obstinacy 216
The Latin American Situation 220
Paulo Emilio Salles Gomes.indd 6 18/09/2018 10:10 Contents vii
Bibliography224
Filmography 227
Index231
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Paulo Emilio Salles Gomes.indd 1 18/09/2018 10:10Series Editors’ Foreword
Over recent decades the traditional ‘languages and literatures’
model in Spanish departments in universities in the United
Kingdom has been superseded by a contextual, interdisciplinary
and ‘area studies’ approach to the study of the culture, history,
society and politics of the Hispanic and Lusophone worlds –
categories that extend far beyond the confnes of the Iberian Peninsula,
not only in Latin America but also to Spanish-speaking and
Lusophone Africa.
In response to these dynamic trends in research priorities and
curriculum development, this series is designed to present both
disciplinary and interdisciplinary research within the general feld
of Iberian and Latin American Studies, particularly studies that
explore all aspects of Cultural Production (inter alia literature,
flm, music, dance, sport) in Spanish, Portuguese, Basque, Catalan,
Galician and indigenous languages of Latin America. The series
also aims to publish research in the History and Politics of the
Hispanic and Lusophone worlds, at the level of both the region and
the nation-state, as well as on Cultural Studies that explore the
shifting terrains of gender, sexual, racial and postcolonial identities
in those same regions.
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Paulo Emilio Salles Gomes.indd 1 18/09/2018 10:10Acknowledgements
We are grateful to the following experts on the work of Paulo Emílio
who provided us with advice in the early stages of this project: Carlos
Augusto Calil, Walnice Nogueira Galvão, Randal Johnson, Adilson
Inácio Mendes and Ismail Xavier. We also had the opportunity to
discuss the collection and Paulo Emílio’s work with Randal Johnson
and Kleber Mendonça Filho at a conference organised by the
Wexner Center for the Arts at The Ohio State University in February
2017. Many thanks to both Randal and Kleber for their
engagements with the project and also to Wexner for organising the event.
We would like to thank staff at the Cinemateca Brasileira in São
Paulo, particularly Alexandre Miyazato for providing us with
supporting materials for the project. Thanks to Amber Rose
McCartney for her fresh and thoughtful translations of Paulo
Emílio’s work and also to Imogen Folland for her editorial
assistance. We appreciate the ongoing support of our colleagues within
the Faculty of Modern and Medieval Languages at the University of
Cambridge and the School of Languages, Cultures and Societies at
the University of Leeds, and we acknowledge our institutions’
support. Many thanks to Paulo Emílio’s family and also to Jordi
Roca and Lúcia Riff for their support and help with this project. In
no particular order, our thanks also go to the following people:
Lúcia Nagib for her enthusiasm and strong support for the volume;
Colin Jones for copy- editing assistance; and Catherine Benamou
for advising on Orson Welles’ It’s All True. Finally, many thanks to
David Filipi of the Wexner Center for the Arts at The Ohio State
University for providing us with the initial inspiration for this
project and for his continued support throughout it.
Paulo Emilio Salles Gomes.indd 11 18/09/2018 10:10This page is intentionally left blank
Paulo Emilio Salles Gomes.indd 1 18/09/2018 10:10List of Sources
The essays included in this collection were originally written for
and published in newspapers and journals as listed below. Most are
published here for the frst time in English and were translated by
Amber Rose McCartney, unless otherwise indicated.
Declaration (Declaração: Clima, July/August 1942)
Commentary (Comentário: Clima, April 1943)
A Time of Pessimism (O tempo do pessimismo: Suplemento literário, 1957)
Platform for a New Generation (Plataforma da nova geração: published as
a manifesto, 1945)
Start of a Conversation (Começo de conversa: Brasil, Urgente, 1963)
A Century of Film (Cinema no século: Jornal do Brasil, 1970)
Unnecessary Intellect (Desnecessidade da inteligência: Suplemento literário,
1957)
The Long Voyage Home (Clima, 1941)
Against Fantasia (Contra Fantasia: Clima, 1941)
Citizen Kane (Citizen Kane: Clima, 1941)
Orson Welles: The Brazilian Adventure (A aventura brasileira: Suplemento
literário, 1957)
Hitchcock’s Mutations (As mutações de Hitchcock: Suplemento literário,
1957)
Independence and Money (Independência e dinheiro:
1958)
Is Chaplin Cinema? (Chaplin é cinema?: Suplemento literário, 1965)
Mythology and Truth (Mitologia e verdade: Suplemento literário, 1958)
Jean Vigo: Zéro de Conduite (Jean Vigo, translated into English from French
by Paulo Emílio Salles Gomes, 1971)
Eisenstein’s Thinking (O pensamento de Eisenstein: Suplemento literário,
1957)
The Other Side of Jean Renoir (A outra face de Jean Renoir: Suplemento
literário, 1958)
Paulo Emilio Salles Gomes.indd 13 18/09/2018 10:10xiv Paulo Emílio Salles Gomes
The Ideology of Metropolis (Ideologia de Metrópolis: Suplemento literário,
1959)
A Religious Adventure (Uma aventura religiosa: 1958)
The Critic André Bazin (O crítico André Bazin: Suplemento literário, 1959)
Battleship Potemkin and October (Potemkin e Outubro: Suplemento literário, 1962)
Cinema and Prostitution (Cinema e prostituição: 1961)
Revolution, Cinema and Love (Revolução, cinema e amor: Suplemento
literário, 1961)
Mauro and Two Other Great Directors (Mauro e