Avant-Garde, Internationalism, and Politics , livre ebook

445

pages

English

Ebooks

2007

Écrit par
Giunta Andrea Giunta ,
traduit par Kahn Peter Kahn

Publié par
Duke University Press

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445

pages

English

Ebooks

2007

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Publié par

Duke University Press

Date de parution

16 juillet 2007

Nombre de lectures

EAN13

9780822389699

Langue

English

Poids de l'ouvrage

2 Mo

The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina's visual arts.The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina's art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible-not least the Alliance for Progress, a U.S. program of "exchange" and "cooperation" meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution-as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuracion and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, Leon Ferrari, Marta Minujin, and Luis Felipe Noe. Giunta's rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.

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Publié par

Duke University Press

Date de parution

16 juillet 2007

Nombre de lectures

EAN13

9780822389699

Langue

English

Poids de l'ouvrage

2 Mo

Argentine Argentina

AVANT-GARDE, INTERNATIONALISM, AND POLITICS

a book n he ŝeeŝ

à aéçà oéŝé: àûàéŝ, eéŝ, nàôŝ

seeŝ edoŝ:

wàé d. môô, dûé uéŝ

ïéé séà, dûé uéŝ

sôà sàíà-hû, uéŝ ôf téàŝ, sà aôô



AVANT-GARDE, INTERNATIONALISM, AND POLITICS

agenne a n he seŝ

ANDREA GIUNTA

tànŝàed by Pee Kàhn

DUKE UNIVERSITY PRESS

DURHAM&LONDON 2007

Deŝgned by Kày cove typeŝe n càe & cone Gààd by tŝeng înoàon syŝeŝ, înç. Lbày o congeŝŝ cààogng-n-Pubçàon Dàà àppeà on he àŝ

pned pàge o hŝ book.

avàn-Gàde, înenàonàŝ, ànd Poçŝ: agenne a n he seŝ àŝ ôà ûŝé àŝVànguàdà, nenàçonàŝo y poíçà: ae àgenno en oŝ àñoŝ ŝeŝenà(bûéôŝ aéŝ: eôà pàóŝ SAICF, 2001).

Vànguàdà, înenàçonàŝo y Poíçàéçéé é 2002 aà ô é béŝ sçôà bôô ô é à ôf à aéçà ô é pé-côûà éà ô é éŝé ô é aŝŝôçàô ôf à aéçà a (à àiàé ôf é côéé a aŝŝôçàô), ûé  é aé ôûàô.

té çôéŝôéçé ôf aé h. bà ŝ éé  éŝŝô ôf é mûŝéû açéŝ ôf é mûŝéû ôf môé a, né yô.

pûçàô ôf ŝ ôô àŝ éé àé  à à ô é mà méŝŝ pûçàô

û ôf é côéé a aŝŝôçàô.

tàŝàô ôf é ôô àŝ ûé  à à ô é ûàçó aôçàŝ, bûéôŝ aéŝ.

to Voeà, Ogà, ànd Rob

CONTENTS

ŝ ôf ïûŝàôŝ  aôû é sééŝ  péàçé à açôééŝ  tàŝàô’ŝ nôé  aéàôŝ  ïôûçô 1

CHAPTER 1. MODERN ART ON THE MARGINS OF PERONISM 25 pôŝà côçé 26 | té nô aéçà ïàŝô 31 | aŝàç aŝŝ bééé côûŝŝ à éàŝ 33 | té pàôŝ ô é dŝàçé 36 | té oiçà pôç tôà a 39 | té éç ïàŝô 42 | côôéŝéŝ ô aŝàç a 45 | bééé péôŝ à aŝàç a: cô ô téŝ 47 | Ve y Eŝàô é rààŝ ôf môé a 48

CHAPTER 2. Proclamations and Programs During the Revolución Libertadora 55 té eàŝŝéŝ ôf a 59 | a réàzé mûŝéû 64 | a né mûŝéû ô é né a 67 |Boà,Phàŝeŝ, à é ïéàôà ô ôf é aà-gàé 70 | côlç ïéàôàŝŝ 81 | té eôàô ôf màéàŝ 85

CHAPTER 3. THE “NEW” ART SCENE 91 jôûà ôf à côéçô 96 | cô oû  sôçé 101 | té ŝ ïéàôà eô 108 | té 150 aéŝà cééàôŝ 112 | a pà ô sûççéŝŝ 113

CHAPTER 5. THE DECENTERING OF THE MODERNIST PARADIGM 163 sûŝé jûé à eàç nôé 169 | oé gééàôéŝ ô môé a 171 | a a-côŝû aéŝéç 180

CHAPTER 6. STRATEGIES OF INTERNATIONALIZATION 189 té aéçà à 191 | ïéàôà aàŝ ô nàôà réçôô 198 | té cçûà MôMA eôŝ 208 | 1964: té yéà ôf réçôô 210 | béà à a-béà 221 | té cûàô ôf ïéàôàŝ 227 | té aôàŝ ôf ïéàôàŝ 233

CHAPTER 7. THE AVANT-GARDE BETWEEN ART AND POLITICS 243 té aŝ àŝ ïééçûà 246 | a “pàŝç” cé 249 | té pôçŝ ôf aŝŝéàé 256 | té aà-gàé bééé é tô bôûàéŝ 264 | a àŝ à côéçé à vôé açô 267

côçûŝôŝ 281 nôéŝ 291 bôà 373 ïé 397

Lŝ o îuŝàonŝ

FIGURES

1. eô: dé màé à ûéŝôŝ íàŝ (ô màé ô é péŝé) 43 2. rûÈ sààôí,coŝàŝ(tŝ) 132 3. eô: aé déŝûçô 136–37 4. màà mûí, éŝûçô ôf é ô à é ïàŝŝé rôŝ 149 5. aôô bé,Ràonà obeà(ràôà é wôé),Ràonà çoŝueà(ràôà é séàŝéŝŝ),E ŝp eàŝe de Ràonà î (ràôà’ŝ s-téàŝé ï),E ŝp eàŝe de Ràonà îî(ràôà’ŝ s-téàŝé ïï) 156 6. aôô bé,Juàno và à à çudàd157(jûàà gôéŝ ô é c) 7. wà bôûûééàû,Là “toee” de Venuŝ174 8. eôûà màé,Là nnà ŝopenddà(sûŝé n) 175 9.aéçàŝmààzé 202 10. péô ïéàçôà é eŝçûûà (ïéàôà pzé ô sçûûé) 203 11. jôé rôéô béŝ à gûô càô aà û é ITDT péô ïéàçôà é eŝçûûà 205 12. jôé rôéô béŝ, ŝçôéçà ô àŝŝ çôé ô àçàé  é éô aéà é é ûô 220 13. aô bôé, cŝà söéŝô, à aé bà  é IKA ôiçéŝ û é û ééàôŝ ô é t béà aéçàà é aé 225

Voir