Art beyond Itself , livre ebook

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2014

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First published in Spanish in 2010, Art beyond Itself is Nestor Garcia Canclini's deft assessment of contemporary art. The renowned cultural critic suggests that, ideally, art is the place of imminence, the place where we glimpse something just about to happen. Yet, as he demonstrates, defining contemporary art and its role in society is an ever more complicated endeavor. Museums, auction houses, artists, and major actors in economics, politics, and the media are increasingly chummy and interdependent. Art is expanding into urban development and the design and tourism industries. Art practices based on objects are displaced by practices based on contexts. Aesthetic distinctions dissolve as artworks are inserted into the media, urban spaces, digital networks, and social forums. Oppositional artists are adrift in a society without a clear story line. What, after all, counts as transgression in a world of diverse and fragmentary narratives? Seeking a new analytic framework for understanding contemporary art, Garcia Canclini is attentive to particular artworks; to artists including Francis Alys, Leon Ferrari, Teresa Margolles, Antoni Muntadas, and Gabriel Orozco; and to efforts to preserve, for art and artists, some degree of independence from religion, politics, the media, and the market.
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Date de parution

17 juin 2014

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9780822376972

Langue

English

Poids de l'ouvrage

1 Mo

A R T B E YO N D I TS E L F
Art beyond Itself >
Anthropology for a Society without a Story Line
N É S TO R G A R C Í A C A N C L I N I
Translated by David Frye
duke university press durham and london 2014
© 2014 Duke University Press All rights reserved Printed in the United States of America on acid-free paperTypeset in Whitman by Copperline Book Services, Inc.
Library of Congress Cataloging-in-Publication Data García Canclini, Néstor. [Sociedad sin relato. English] Art beyond itself : anthropology for a society without a story line / Néstor García Canclini ; translated by David Frye. pages cm Includes index and references. isbn978-0-8223-5609-7 (cloth : alk. paper) isbn978-0-8223-5623-3 (pbk. : alk. paper) 1. Art and society. 2. Art and anthropology. 3. Postmodernism. 4. Aesthetics, Modern—21st century. I. Frye, David L. II. Title. n72.s6g372132014 701'.03—dc23 2013042792
Originally published asLa sociedad sin relato: Antropología y estética de la inminencia,copyright 2010, Néstor García Canclini. Spanish edition published by Katz Editores, Buenos Aires and Madrid, 2010.
Duke University Press gratefully acknowledges the support of the Globalization and the Artist Project of the Duke University Center for International Studies, which provided funds toward the production of this book.
for magali
c o n t e n t s >
illustrations ix
preface Art beyond Itself xi
acknowledgments xxv
1. Aesthetics and Social Sciences: Converging Doubts 1
2. Visual Cultures: Between Art and Heritage 29
3. Reappropriating Objects: Art, Marketing, or Culture? 59
4. Putting a Value on Art: Between the Market and Politics 83
5. Unsure Localizations 101
6. The Death of Public Space: Survival Tactics 129
7. How Society Makes Art 151
epilogue 175
works cited 187
index 197
i l l u s t r a t i o n s >
figure preface.1Still from Dora García,¿Dónde van los personajes cuando termina la novela?(Where Do Characters Go When the Novel Ends?), 2009 xv
figure1.1 Still from Francis Alÿs,El Colector(The Collector), in collaboration with Felipe Sanabria, 1991–92 3
figure2.1 Gabriel Orozco,Papalotes negros(Black Kites), 1997 50
figure2.2 Gabriel Orozco,Piedra que cede(Yielding Stone), 1992 52
figure3.1 Antoni Muntadas,Mesa de negociación(The Nego-tiating Table), 1998 69
figure3.2 Santiago Sierra,Palabra tapada(Covered Word), 2004 71
figure3.3 Santiago Sierra,Muro cerrando un espacio(Wall Enclosing a Space),2003 72
figure3.4 Santiago Sierra,Cuarto de baño(Bathroom), 2003 73
figure3.5 Santiago Sierra,Mujer con capirote sentada de cara a la pared(Hooded Woman Seated Facing the Wall), May 1, 2003 74
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