British Folk-Music Settings Nr. 4, "Shepherd's Hey"

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English

Documents

2010

Écrit par
Anonymous

Publié par
ormi

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English

Ebook

2010

Lire

Le téléchargement nécessite un accès à la bibliothèque YouScribe Tout savoir sur nos offres

Publié par

ormi

Publié le

08 décembre 2010

Nombre de lectures

Langue

English

BRITISH FOLK-MUSIC SETTINGS.
(Lovingly and reverenetly dedicated to the memory of Edvard Grieg)
Nr 4. "SHEPHERD'S HEY". MORRIS DANCE TUNE.
(By kind permission of Novello & Co Ltd.)
4 variants, collected by
from the ...

Voir

Publié par

ormi

Publié le

08 décembre 2010

Nombre de lectures

Langue

English

BRITISH FOLK-MUSIC SETTINGS. (Lovingly and reverenetly dedicated to the memory of Edvard Grieg)

Nr 4. "SHEPHERDS HEY".MORRIS DANCE TUNE. (By kind permission of Novello & Co Ltd.)

4 variants, collected by Cecil J. Sharp from the playing of the fiddler of the Bidford Morris dances (1906,) J. Mason, (Stow on the Wold,) W. Hathaway (Cheltenham) & William Wells (Bampton.)

Dished up for piano by PERCY ALDRIDGE GRAINGER,

for setting for full band see BRITISH FOLK-MUSIC SETTINGS Nr 16. for setting for room-music 12-some (flute, clarinet, horn, Cnocertina, & 8 strings) see BRITISH FOLK-MUSIC SETTINGS Nr 3.

See: MORRIS DANCE TUNES [set 2, Nr 4](Novello & Co Ltd..) and THE MORRIS BOOK(Novello & Co Ltd.) both by Cecil J. Sharp & Herbert C. Macilwaine.

All held within the above square is meant to be used in full in programs, where possible.

This setting is not suitable to dance Morris dances to.

All big stretches may be played broken (harped).

FAST. (Presto) MM between 96 and 116  3             shortish  

No pedal (senza ped)

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            

      

  

 

 

     

   

  

 

     

     

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 

7    

           



             

          not short (non stacc.)    

                          

3      

  

  

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3    

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2 4    

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          

     

   

   

  

    

 

     

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            

     

 3    

15        



11        

19        short (stacc.)      



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3         

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   

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                       

     

3       

   23                               The bigger printed notes should                               merrily                27                          be heard well above the others. louden                               or     (ossia)

 31     

   

      

       

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 

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 or

 

    

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    

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    

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    

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     



 

   

   

 



  

 

hold back slighty   3                (or)                  

                      

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  

 

 

 

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  

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4  34           chippy                



       

    

 

  

          

 

   

 3      

  

      

louden                 

   



 37     

 



                           

 



 

 



43   

40  

    

      louden           

   

    

    

   

    

    

 

  

  

    

 

        

53 3    short                       (The bigger printed notes well to the fore and very clingingly) short                   No pedal     56                         3  smooth                          

       

  



 



 

  

 

  

3          



  





  

 

 

short     short

   



 



 



  

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 

  

    





47   

  

   

    

 

    

             

 



 

  

  



 



 below a note means that the last pedal is to be raised at the moment of striking the keys and pressed down again P as fast as possible

50  

 



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 

3   

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 

 

    

 



          



      

  

 



 



  



   



 

short

 



    

           



 

 

 hold back                     

 



  

dont break these              

louden          



 

67   



  3         

 3     

top note               

   

                louden quickly           Bumpingly  

     





                 It doesnt matter exactly what  note the glissando ends on.  70           



 

                

      or

 

richly       

 

  

 

   

64    

short         

6 60      

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British Folk-Music Settings Nr. 4, "Shepherd's Hey"

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